In the middle of the 1950s, the harmful effects of the old social customs, rigidity, and bureaucracy in the forward development of social life were shown in a comical tone in connection with the incident where an old man with a dam entered the city to look for parts for a haymaking machine.

The story is based on the historical events of Gongor, a national hero who successfully performed his duty as a border guard. The fact that he played the hero Gongor himself in the main role helped to convince the audience of the fact that it became a movie. The fact that Sh. Gongor is fighting alone and winning against the enemies who violated the border has a tone that preserves the traditional characteristics of the Mongolian folk epic hero.

This film is intended to promote the mass movement of physical education to the masses. Choijil, a boastful young man with a tendency to ignore everything, meets Densmaa at a party and dreams of her. On the weekend, Densmaa and Yanjmaa suggested to Choijil that they go skiing on the mountain, but he agreed, even though he had never put a ski on his feet, and told the two girls how he was having fun.

The events of Tanker Jargal and Cavalryman Tsend show that every citizen must fight against a foreign enemy for the independence of his country. Tseren, a man who mischievously misleads the letters sent by the two to their beloved ladies, expresses the evil plot of the enemy.

The events of Tanker Jargal and Cavalryman Tsend show that every citizen must fight against a foreign enemy for the independence of his country. Tseren, a man who mischievously misleads the letters sent by the two to their beloved ladies, expresses the evil plot of the enemy.

It shows how the border guards arrest the enemy who has violated the border thanks to the vigilance of the common people. The story of the film is told through the story of border soldier Bold and his girlfriend Tsengel.

This film revolves around Choghtu Khong Tayiji, a 17th century Mongolian prince who waged a campaign of independence against Tibetan and Manchu forces.

It is reflected in the lives of some narrow-minded people who discriminate between work as black and white, evaluate acquired skills and acquired experience only by a certificate, and confuse friendship with love. Bayasgalang's childhood was spent on the back of a racehorse, and his teammate studied at school in Darsuren and returned to his hometown as a teacher. While Darsuren and his students were walking in the countryside, an artist from the city attacked and painted them. Misunderstanding the mutual respect between the artist and the teacher, Bayasgalan went to the city to accept the idea that horsemanship is not a profession, and he faced great difficulties in not finding a job. On the way, he meets an artist who is suspicious of Darsuren, his wife and children, and introduces Bayasgalan. He tells the story of how he is returning to his hometown after realizing that he has wasted his time by abandoning his profession to be suspicious of an innocent man.

Dondog, a young man who grew up on a horse mane, becomes a cowherd after being reprimanded by the management for killing his horse in a race with a car. On this occasion, the relationship between Yanjmaa, a driver who came to the collective, Gonchig, who comes to trade for personal gain, and Dondog, a horseman, was shown in light comedy.

This film revolves around Choghtu Khong Tayiji, a 17th century Mongolian prince who waged a campaign of independence against Tibetan and Manchu forces.