Tomoko and Naomi have had a lesbian relationship since their high school days. They meet again a few years later, and this film depicts the course of their love. Tomoko's strong obsession with Naomi and her intense sexual desire excite the audience. The beauty of the last scene is a must-see!

Housewife Kyoko begins moonlighting at a mysterious sex club as a means of rebelling against her boring salaryman husband Akihito. The Bedroom isn’t like any normal club, though: the female hostesses all take the powerful sedative Halcion to sleep through their encounters with the male clientele.

Yuu is living with her horse Ryusei on the edge of the sea. One day a young researcher and three artists arrive and they disturb Yuu's quasi-telepathic relation with a horse.

Reiko is a newlywed who has been married for half a year through an arranged marriage. Married life should be fun, but for Reiko, it has been a series of empty days. She and her husband, Takahiro, are not in tune with each other. And it's not just their hearts that are at odds. Takahiro has never tried to embrace Reiko since they got married. He always makes Reiko masturbate, and he just enjoys watching her do it.

Fearing dead-end futures, abused schoolgirl Alisa and neglected housewife Harumi plan a new life together, bankrolled by a bag of stolen cash. But with an incestuous father and a jealous mother-in-law in hot pursuit, their journey to the other side of the night becomes longer — and stranger — than they could’ve expected.

The story of two men, one middle aged one mid twenties, who make friends and exchange cigarettes and stories of their sex lives, unaware they have unwittingly exchanged partners. The story, told in flashbacks, as the two men travel through the night on a motorcycle, is loaded with highly charged eroticism. Sex and violence are juxtaposed against the drabness of the men's everyday lives, effectively blurring the line between what is real and what is fantasy. Founded on the well-known myth of furtive sexual gropers on the rush-hour Tokyo commuter trains, Tandem is a low-key masterpiece of Japanese Pink Cinema.

This routine effort from cult pinku-eiga director Hisayasu Sato centers around a divorcée who opens a beauty parlor and begins selling sexual services to boost her business.

Kasumi Yuka heads the cast of this silly softcore film from Hisayasu Sato, the usually far more sober cult filmmaker known for grim depictions of alienation and sadism. Yuka plays a cranky harridan who uses her vibrator to administer questionably effective punishment to people who annoy her.

Although its title indicates three personalities, the heroine of cult filmmaker Hisayasu Sato’s downbeat multiple-personality tale actually exhibits four, going from loving wife to crazed slut to insane child to depressed adolescent. As usual, Sato fills the film with alienation, kinky sex, and psychological subplots.

Yasuo and Reiko are a married couple with good sexual compatibility, but Yasuo is dissatisfied with the lack of enjoyable conversation between them. Due to a strange turn of events, he ends up going to a hotel with a junior colleague of Reiko. Reiko goes to the room of another junior colleague, Nobuko, and gets drunk, and on the way back she meets her old lover, Tamura. Tamura is Nobuko's man. Nobuko also has a colleague of Yasuo, Kimura. In the midst of these complicated intertwining human relationships, the flames of lust begin to flare...