The middle of the 21st century. A dystopian drama in an overaged and run-down Germany. When the so-called "Endjährigkeit" - compulsory euthanasia at the age of 80 - is introduced, a father and a son are forced to put their broken relationship to a final test.

Hazal is 17 and lives in Berlin. Her biggest wish: to be given a chance. For her 18th birthday she wants to escape the everyday grind and party with her friends. But an incident changes everything. Hazal is forced to flee.

The high-rise building block near the forest is famous for its carefully curated community. As a dog disappears and her daughter refuses to leave the bathroom, security officer Anna faces an absurd battle against the fear, that slowly spreads among the residents and shakes the utopia with a view.

The German doctor Vicky falls in love with the young Turk Mehmet. His family has lived in Berlin for a long time, and people are open to Germans - including women . But his mother Fatma has a problem with Vicky because she is almost as old as she is . FatmaCiller, who says "Helga" to all German women and "Hans" to all German men , is shocked and determined to get rid of "old Helga" . When Hidir, Fatma 's husband , dies and the family can not afford to transport the body to Turkey , they areCillers suddenly dependent on Vicky . But Mehmet only wants to accept money from Vicky if she gets engaged to him immediately . Vicky dares , happily agrees and travels with the mourners to Turkey , to Fatma 's home village . Here, in the CappadocianDorf, does the hilarious showdown between Fatma and Vicky happen as it must - the beginning of a wonderful friendship?

In the second part of the crime series about star lawyer Anna Conti and public prosecutor Henry Mahn, the two women are once again fighting for law and justice on different sides. After Conti has found her way back into professional life with her last case, she now takes on the defense of a dazzling client: Frank Stolpe has led a double life for years and has now committed a bank robbery for which he appears to have no motive. Curious and fascinated at the same time, Conti tries to find out all the facets of this mysterious man with the help of her assistant Carlo. What can she believe about him? Henry Mahn, on the other hand, sees him as a pathological swindler who uses his manipulative skills to plunge others into misfortune.

Alan, Jan and Liya, born in Kurdistan, raised in Stuttgart, want to grant their deceased mother her final wish: to be buried beside her husband, who died in the war, in their home village in Kurdistan. The clan objects, but the three set out anyway. A risky journey to a homeland wracked by strife.

Hülya is a young German-Turkish writer. Several years after the death of her father, she decides to write a novel about him. In order to get to know him better, she travels to Damal, the place where her father was born and grew up. She meets the people from his youth and reconstructs his life there - at school, at home and in the expansive landscape around the village. While she observes, she does not always get an equally positive picture of her father and the dramatic events that shaped his life and hers. Confusing memories fall into place. At the same time, present, past, reality and fantasy start mingling increasingly naturally and it becomes more and more clear that memory is a far-from-infallible instrument. Nature, idyllically one time and mercilessly next, forms the atmospheric decor for this reflection on the value of family bonds, love and honour.

Since rock star John Winter has completely turned his life around and is happy, he has stopped writing hits - much to the chagrin of his manager Grobsch, who is in a real pickle as a result. He therefore instructs his assistant Lou to get John back on track. Lou comes up with all sorts of ideas and seems to be successful. But then John wants to give up music for good.