Set five years on from the school days of director Stevan Filipovic's previous film Next to Me, a state of emergency exists and politicians are accused of capitalising on public anxiety around Covid-19, which makes the shocking situation that reunites the characters significantly more extreme. The story centres on Ksenija (newcomer Mina Nikolic), a driven young woman striving to move from tabloid hack to a career journalist in a world of click-bait headlines and showbiz scandals cooked up to feed the masses. Ksenija's personal and professional journey is hampered when Vera tests positive for Coronavirus and Ksenija must question how far she will bend to survive in a climate where political pressure is increasingly overt and can be said to capitalise on fear during the pandemic.

ZG80 is a prequel of Metastaze. The movie brings back its characters to prewar Yugoslavia where they, as part of Bad Blue Boys, go on a football match in Belgrade to see Dinamo play against Crvena Zvezda. They encounter guest fans, their arch rivals Delije, in a series of events that lead to football fans war on the streets of Belgrade.

A young girl, naked on the table, for waxing, tries to solve the mystery of male-female relations.

The story of two inseparable friends born on the same day of the same year. As they grow up, their unique, idyllic world—understood only by them—begins to crumble when one of them finds a boyfriend.

After being attacked by a group of masked hooligans, Olja discovers that some of her students were responsible. She decides to teach them a lesson by locking them in the school building and confronts them.

A story set in the Middle Ages about a warrior knight who survived the historic Battle of Kosovo in 1389. Along the way, he meets a wild boy, all alone. And they continue this journey together. This man is a personification of all small heroes, that no songs are sang about.

It's Saturday night and Mrdja, Piki and Sale want to have a good time. Everything they need is a robbery, a party and a gun.