
Acting
У својој 21. години је постао члана београдског аматерског Експерименталног драмског студија. 6 година касније је дипломирао глуму на Факултету драмских уметности у класи професора Владимира Јевтовића. Након дипломирања је постао члан београдског дечјег позоришта „Бошко Буха“. Године 1989. је снимио више од 270 епизода емисије „Бајка за лаку ноћ“, приче за лаку ноћ које су се емитовале на националној телевизији. Од 1989. до 1995. је водио емисију за децу „С оне стране дуге“, што га је уз Бранка Коцкицу, учинило најпопуларнијим дечјим глумцем и забављачем. Од 1995. је водио емисију „Више од игре“ на РТВ Пинк. Милорад Мандић је играо у бројним српским филмовима. Најзапаженија улога му је у филму Срђана Драгојевића „Лепа села лепо горе“. Био је водитељ квиза „Узми или остави“, који се приказивао на телевизији Б92, а водио је и квиз „Ја волим Србију“, који се приказивао на Првој српској телевизији.

Mladen and Marija are an ordinary and happy married couple of the "middle class" of the society in which they live as tenants. Mladen works as a civil engineer in a state company, and Marija is an English teacher in primary school. The couple finds joy in their only son, Nemanja. They discover that Nemanja has a rare heart disease and healing is possible with an operation in a foreign medical center, which costs €26,000.

Omnibus film, consisting of three independent parts: in the first story, Koma, a failed rocker, wants to prove to his producer father that newly composed music could be better than his. He becomes a mysterious masked folk singer-known as Ninja. In the second, Dracula is killed... again. This time he does not dies oby way of a wooden stake, a silver bullet, or a cross. A blonde woman manages to deprive him of eternal life without the help of sunrise. The last story is about Eve and Djuro. She is creator, he is a musician. They live in a harmonious relationship, but a love letter brings division among them.

We Are Not Angels III is a Serbian film. In 1973 during a Youth Work Action, budding musician Borko Pavić (Nikola Pejaković) is disappointed to find out that the majority of his fellow young workers prefer to dance kolo to folkish harmonica sounds rather than listening to him play his acoustic guitar. Heartbroken and depressed he confides in his best friend that he read that in America the young people make the devil appear by playing the music backwards who then makes them rich and famous. He becomes the mega popular rock'n'roll superstar Dorijan. Cut to 30+ years later Dorijan is still a debauched, coke-snorting, and alcoholic superstar, except that he's now playing turbo folk instead of rock'n'roll. He lives with a silicone trophy girlfriend Smokvica and his best friend from childhood is his business manager. Despite still having his women, fame, and fortune, Dorijan is unhappy about having to resort to playing a musical style he hates in order to have all that.

During 1941 in Belgrade, two well-known thieves try to carry out the biggest robbery of Nazi authorities ever.

In the opening stages of the Bosnian War, a small group of Serbian soldiers are trapped in a tunnel by a Muslim force.

The basic plot revolves around drug dealer Limeni and two men, Lemi and Kiza, who are trying to transport their dead grandfather for burial, until their car breaks down and they end up struggling to get him home onboard a train. This is when these two plots intersect and all hell breaks loose.

Igor Gordić was an Olympic champion in shooting, but now he is a junky without money and in debts to mafia. Saša is his younger brother and he is getting ready for the next World Championship. Since he's not getting enough terms to practice indoors, he has decided to go out and find himself a target to practice on.

This story about two maternal half-brothers, a Croat and a Serb. Although they never met, and both lose their loved ones in ethnic clashes, there is a bond between them. Filmed in 1988, it prophetically forsees the war that would engulf former Yugoslavia three years later.

The story takes place in Nis, towards the end of the nineteenth century, during the calm down of the stormy historic events which led to final liberation of southern Serbian parts from Turkish occupation. The comedy is about celebrating traditional saint's day feast, organized by Ivko and how his guests test the Serbian hospitality.

Belgrade, 1999. Producer Sergei and his film crew are in a disastrous situation - the film they're making is under threat - there's no money, the crew are dissatisfied - and NATO bombing is just around the corner. Then a member of the State Security Service (Mileta) comes looking for American co-producer Harvey. Anxious and worried, in the midst of the bombing that's begun, Sergei hides Harvey from what he thinks is awaiting him - arrest. During the night, he thinks up a plan. He announces the start of filming on a new, patriotic film - in which the main role will be played by Harvey. The plan works - the State supports the film and Mileta, as the State's representative, joins the crew. However, the underlying conflict between Mileta and Sergei explodes during the first screening. Mileta accuses them of being artists, and not being patriots.
