Docudrama about comic book artist Zarcone, who disappeared after illustrating issue #1 of "Diabolik" (November 1, 1962).

Documentary exploring the colorful history of the erotic comic strip, including its current comeback and controversial place in society.

Frederico Fellini's unmade film ll Viaggio di G. Mastorna Detto Fernet became a graphic novel, just before Fellini's death in 1993. This is the story of how that came to be, as told by long time Fellini collaborator and illustrator for ll Viaggio di G. Mastorna, Milo Manera. Combining still photography and moving images, the piece which was produced in conjunction with Fabrica, premiered at the Toronto International Film Festival in 2011. The short is anchored by an interview with Milo Minara shot entirely in stills. The interview discusses his personal take on the main existentialist themes of the book; this interview has been intercut with the actual graphic novel and what appears to be the lost footage (via recreation) of the story's first scene. This short doc is an exploration into dreams and fantasy, moving through different realities. Shot between Milan, Italy and Koln, Germany.

1965: Paris, London and Milan all move at the same fast pace, fueled by a fresh creative and rebellious impetus. Guido Crepax picks up on this energy and transfers it to a comic strip in which art, music, design, film and fashion all blend together, breaking with traditional narrative structure. The dreamy photographer Valentina becomes Crepax' alter ego: as lovely as Louise Brooks, as disturbing as one of Lucio Fontana's slashed canvases, as knowing as Bob Dylan's lyrics, and as freewheeling as Charlie Parker's compositions.

Milo Manara revolutionized the comics imagination, liberating female desire through the protagonists of his comics. His career was marked by his encounter with Hugo Pratt, his mentor and companion, and by his exploration of the power of sex as a political act, culminating in the publication of Il gioco. His partnership with Federico Fellini redefined the boundaries between eroticism, cinema, and comics, and his unmistakable style made him a point of reference for entire generations.