For the Novák and Bartáček families, money is king, and they'll do just about anything to get it. While René Novák pitches his parents a lucrative scheme to swindle as many people with the last name Novák in the country as possible, the Bartáček clan decides to pretend to be much poorer than they really are in order to siphon some dollars from an American relative. And it doesn't take long before these separate scams start to intertwine.

Even ideology permeated the children's stories: the beginnings of forced collectivisation in the village are seen through the eyes of a young boy. As the son of an honest and deliberate communist official, there is no shortage of informed insight, even if it is lightened slightly by the occasional wacky idea. However, childhood friendships or even loves run up against the conflicts of an excited age, especially when the protagonist's best friends come from families of class enemies.

In May 1945, a broken violinist lies drunk by a creek, haunted by memories of his life before and during WWII. Once the celebrated first violin in spa orchestras, he married Jewish nurse Róza and dreamed of fatherhood, only to face brutal anti-Jewish persecution. Relegated to second violin, he spirals into alcoholism and betrayal, while Róza and their daughter are deported. Cast out by colleagues and lovers, he descends into madness, murdering a vagrant with his violin case. In a final psychotic haze, he tends a roadside Christ statue before collapsing, his shattered life a testament to love, loss, and atrocity.