
Acting
Born and raised in Whangarei, New Zealand, Milo Cawthorne developed a love for acting at a young age and participated in several productions in the local community theatre. But his talents took him further than just his hometown as he began appearing in several children's television shows, even starring in "P.E.T. Detectives" (2003) as Evan. Still, he made his home on stage and even performed as part of New Zealand's Young Shakespeare Company at the Globe Theatre in London. After unsuccessfully attempting to enroll in drama school and working as a pizza delivery boy for about a year, Cawthorne landed the role of bumbling ex-cartel member Ziggy Grover, Ranger Operator Series Green, on "Power Rangers RPM" (2009), which gave him exposure to a much larger audience than what he had been used to. Following this, he returned to the stage and participated in several theatre productions, including "The History Boys" (2009) with the Peach Theatre Company, and "360" (2010) for the New Zealand International Arts Festival. He also appeared in an episode of the miniseries "Underbelly NZ: Land of the Long Green Cloud" (2011). In late 2011, Cawthorne moved to Los Angeles, California to begin filming the independent horror feature "Blood Punch" (2013), which premiered at the 20th annual Austin Film Festival in October 2013 and won the Audience Award in the Dark Matters horror/thriller category. He has also appeared in several short films, including "Andy" (2011), "Mae and Ash" (2012), and "I Love L.A." (2013). Since then, Cawthorne has moved back to New Zealand and reprised his role as Young Gee in "360: A Theatre of Recollections" (2014). He will soon appear in a leading role in the New Zealand-produced television miniseries "When We Go To War" (2014), as well as the Auckland Theatre Company production of "Once On Chunuk Bair" (2014).
When two friends are going to get sexual health checks, tensions flare over the ancient history of their one-off hook up. Anna’s work shows raw depictions of relatable feminine experiences.
A young couple's open relationship is tested when the 'other' woman stays for breakfast. Now they must confront how they really feel about the arrangement.

Milton, a college dropout, was only supposed to cook meth for one day. Broken out of rehab by a brash young woman and her trigger-happy ("ex") boyfriend and driven to a remote cabin the woods, Milton finds himself drawn into a dangerous love triangle gone haywire. The couple's deadpan half-truths spin around Milton like a song on repeat. They seem to read him like an open book, until a mysterious message opens his eyes to his cursed existence. With unlimited ammunition, any hunting tool they could desire, and an ever-growing body count, for what did Milton really sign up?

Two teenage boys unwittingly summon an ancient evil entity known as The Blind One by delving into black magic while trying to escape their mundane lives.

"This singular, bleakly funny, R-rated vision of Kiwi life clinches King's position as the most distinctive new voice in NZ film, as insistent and inescapable as The Warehouse jingle." - New Zealand International Film Festival director Bill Godsen. Made at the beginning of the digital revolution, this micro-budget feature went on to win several awards and be selected for major Fests incl. Toronto, Locarno, Edinburgh, and Melbourne.

A 17 year-old student is forced to get off the fence he has actively sat on all his life to stand up for himself, his whanau (family) and his future in this heartwarming story of identity.

When a mysterious young man arrives on a remote Sub-Antarctic research station, secrets threaten the relationship of a married couple working on the island.

A small-town criminal finds an ancient Chinese time-travel device that can help him pull off a heist and start a new life-but he may not survive the consequences of tampering with time. The Castle meets Looper, Mega Time Squad is a study in high-meets-low, combining elements of the sci-fi, the crime thriller and the comedy to make a comedy heist film with a time-traveling twist.

Trapped in a speeding van, a Kiwi rock band succumb to travel sickness while deconstructing the heist that robbed them of an entire weekend’s door take.
Francis is a struggling aspiring artist who receives an unusual proposition from a mysterious art dealer during another of his fruitless exhibitions. In return for restoring and old oil paiting by an obscure artist, Benjamin Brooke offers to represent and propel him into stardom. Claiming that his employer is a rich and influential man, Benjamin convinces initially hesitant Francis. At a private showing organised by Benjamin, Francis’ paintings sell out, marking the beginning of his artistic legacy. But the price Francis pays for his fame is high indeed – he has traded places with the Gentleman and is now trapped inside the painting he restored.
