Set amid the atrocities of war in the Balkans, Witnesses is retold, Rashomon-style, from various characters' viewpoints, adding new information about the complexity of war and humanity. Beginning inside a rustic house with a woman in black (Mirjana Karanovic) standing beside her husband's coffin, Witnesses interweaves the stories of a small town confronting ethnic hatred and deep moral ambiguities.

In 1928 young Communist activist was arrested and put on trial for anti-state activity. Years later he became known as Tito, Communist president of Yugoslavia, and this TV-movie was made for the 50th anniversary of those events.

Lidija is a wealthy Zagreb lady who, during the German occupation, begins to collaborate with Yugoslav Resistance.

It is about difficult times in Croatian family in Istria under Italian rule and the beginning of Italian fascism.

A projection of the situation in monarchist Yugoslavia after the infamous Proclamation and the Law on the Protection of the State, when repression and police violence stifled any progressive idea. Inspired by some literary works of Miroslav Krleza.

Next to a small Dalmatian town of Murvice oil was found, and politicians make a hasty decision to build a tanker port, although there is no oil in the quantities required for exploitation. Urged by his ambitious wife, the engineer Slobodan Despot becomes director of the port construction, which his wife's lover skillfully exploits to use Despot as scapegoat. The construction of unprofitable airport gradually destroys the patriarchal structure of Murvice, as well as Despot's personal life and ideals, which he tried to restore by having affair with the young and unspoiled girl.

In order to save her marriage, Marija tries to erase from memory the trauma that she's been haunted by ever since youth. The shock she had suffered killed all the love she felt for Dinko. When she meets him again, now that he has become a hopeless drunkard, she feels lost even more.

Petar Gorjan is a 40-year-old successful propagandist and cynical strategist of consumerist society that is faced with family and identity crisis. He embarks on a journey from Zagreb to Dubrovnik, transporting humanitarian aid in his off-road vehicle, and on his way he will be accompanied by slightly mentally troubled Lukas and a vagabond girl.

After finding out by chance that his ex-girlfriend Mina’s mother died, Simon decides to steal her body to provoke cathartic processes in Mina. Mina hasn’t been in contact with her mother for years because of some dark family secrets. Simon plans to keep the body hidden for a few days and then revive it. He possesses the powers needed to do this. However, the body is stolen from Simon and he has great difficulty retrieving it. Unaware of Simon’s problems, Mina confronts her past and the emotional baggage she’s been carrying for years.

Spanish TV reporters covering the War in Bosnia. Based on true experience.