
Acting
Émile Chautard (7 September 1864 – 24 April 1934) was a French-American film director, actor, and screenwriter, most active in the silent era. He directed 107 films between 1910 and 1924. He also appeared in 66 films between 1911 and 1934. Chautard was born in Paris. After a significant career beginning as a stage actor at the Odéon-Théâtre de l'Europe and moving up to the head of film production at Éclair Films' Paris studio in 1913, Chautard emigrated to the United States around 1914. From 1914 to about 1918, Chautard worked for the World Film Company based in Fort Lee, New Jersey. At World, along with a group of other French-speaking film technicians including Maurice Tourneur, Léonce Perret, George Archainbaud, Albert Capellani and Lucien Andriot, he developed such films as the 1915 version of Camille, and taught a young apprentice film cutter at the World studio: Josef von Sternberg. In 1919 Chautard hired von Sternberg as his assistant director for The Mystery of the Yellow Room, for his own short-lived production company. Choosing Hollywood over a return to France, Chautard went to work for Famous Players-Lasky and other studios. He received some high-profile assignments, for instance a Colleen Moore vehicle and two features for Derelys Perdue, but he was a generation older than other directors in Hollywood's French colony. After 1924 Chautard did not direct again, but continued to make film appearances, in the von Sternberg film Blonde Venus (1932), where he appears for his former protege as "Night club owner Chautard". Chautard died in Los Angeles, California. He is interred at the Hollywood Forever Cemetery.

A beautiful temptress re-kindles an old romance while trying to escape her past during a tension-packed train journey.

A matinée idol and a bumbling manager fight for the love of a would-be starlet. Estrellados is the Spanish version of Free and Easy (1930) with Hispanic/Spanish-speaking actors.

Parallel French-speaking version of Warners' "High Pressure" (1932), a comedy satire on fast-talking promoters, crazy inventors, and stock market hype. The story line comes from Kandel's stage play "Hot Money," which had played on Broadway a month or two in 1931, before Warners bought screen rights and changed the title.
A small textile factory down south is run by a cruel foreman that bullies and fires on whim the workers, especially the office girl who starts a day nursery for their children. He's also a part owner in the business. His methods usually scare away the man hired as the plant manager, until a replacement (secretly one of the other owners) arrives.

A group of people who knew each other years before discover that members of the group are being killed off one by one by someone who calls himself (or herself) The Green Ghost. The survivors gather at an old mansion to find out who is doing the killing and why, and discover that the murderer is a member of that very group.

This silent Western featured a group of Basque settlers terrorized by a greedy land baron (Joseph W. Girard). Jones played Buck Kildare, who, after falling for Basque beauty Natalie Joyce, comes to the aid of the settlers. On his sterling horse Silver, Kildare goes after the villain, who, it turns out, is the very same man who murdered his brother Tom (William A. Steele).

Santa Fe Stuart, leading a relief train bringing food to the peasants, gets caught up in the Commandante and his brother the Mayor's effort to starve out the peasants. Thrown in jail and about to be hung, he escapes and joins the peasants in their fight against the brothers and their troops...

Adolphe Menjou stars in a Roaring Twenties comedy of remarriage.
A doomed love story between a top model and a handsome young man. Born on a liner between New York and Europe, the union sinks when the married lady learns that her lover is none other than - the son of her old husband.

French-language remake of the 1929 film of the same name. Broadway showgirl Mary Dugan is charged with murder in the knifing death of her wealthy lover and goes on trial for her life. When her defense counsel appears to bungle his job, Mary's brother Jimmy, a newly-licensed attorney, jumps into the case to defend his sister. Jimmy's courtroom style is unconventional, but he seems to be holding his own against the prosecuting attorney—until a surprise testimony changes the course of the trial...

WAS IT Better For Her To Have Loved and Sinned Than Never to Have Sinned At All? STOP--CONSIDER The girl he led astray was another man's sister. Yet-He protected the honor of his own sister with his life. IT'S ALL IN THE POINT OF VIEW.

This is a visualization of the life of patriot Nathan Hale which is based on a play by Clyde Fitch. Robert Warwick plays Nathan (and does a fine job) and Gail Kane the girl whom he loves (Alice Adams).

Acting on her love of nature and loathing of titled fortune hunters, heiress Mary Hamilton leaves home with her secretary, Peggy Ingledew, to join a band of roving gypsies. One of Mary's suitors, Sir Kenneth Graham, follows the two young women into the woods, dressed in gypsy garb, but when Jack Hutton decides to rid his forested land of gypsies, Sir Kenneth is thrown into jail.

A beautiful young French girl falls in love with a handsome New Englander, but when they marry and return to his family home, she finds that she does not fit in at all.

A tough fellow from out West falls for young woman who is being pursued by a smarmy high-society type.

Gloria Swann becomes a dancer at the Palm Garden cabaret, trying to secure a better future and accepts Judge Malvin's offer of marriage despite the disparity of their ages and social stations. One day while Gloria and the judge are driving in the park, their car nearly runs over Larry Gibson, a soldier blinded in World War I. A remark by Gloria's friend, Teddy Safford, has aroused her maternal feelings, and the sight of the lonely soldier makes her even more sympathetic. Gloria takes Larry home and visits him daily. Larry plays banjo and writes songs about soldier life to cheer suffering servicemen.

Austrian diplomats, seeking papers in the possession of the United States diplomat, work through the infatuation of his son, Harry, for an Italian widow. In his desperate financial straits, he is induced to turn traitor to his trust, but the woman, truly loving him, saves him from the consequences of his crime, at the cost of her own love and life.

When his wife Grace inherits her father's stock, John Miller, the president of the Western Power and Development Company, becomes a millionaire and moves to New York with his family. Beset by business problems, Miller pays little attention to his wife, and Grace, feeling neglected, takes up with a bohemian set. Among her new acquaintances she meets Stuart Mordant, the attorney for Thomas Hurd, a business rival of Miller's. Grace seeks refuge from loneliness in Mordant, who makes a bargain with Hurd to gain control of her husband's company for half a million dollars.

Ruth Minchin is unhappily married to her father's former business partner, a drunken brute. She contracts a friendship for Severino, a pianist, who lives in the same apartment house, and Minchin, discovering them together, orders the pianist from the room and knocks his wife down. Severino kills Minchin in a delirium following pneumonia, and Ruth is suspected of the crime.

A young Russian woman escapes persecution in her country and makes her way to the United States. Shortly after her arrival she meets an American millionaire, John Colton.

