When a sculptor falls in love with his model but finds his love unrequited, he plans to kill his love rival with the help of the owner of a Horror Wax museum. The film is considered lost.

Kitty Kelly (Bessie Barriscale) has just graduated from medical school and she decides to set up business in a Western mining camp. Because she is pretty, all the miners come up with various ailments just so they have a chance to spend time with her. The one that wins her heart is ranch foreman Bob Lang (Jack Holt), but a wrench is thrown into the romance when Kitty comes to the conclusion that he drinks too much.

The jealous husband saw a flirtation; the Raffles, a necklace. The husband's suspicions were further confirmed when the Raffles came out of his hiding. The Raffles permitted the deception, until his manhood came to the surface. He realized how his own happiness might have been so jeopardized, and the little wife concerned was restored to her own.

The dead man's decentralized life is exemplified in a half-finished will and an incompleted invention of a printing press. The mother impresses upon her two sons the power of concentration by a magnifying glass held to the sun's rays. One accepts the lesson and finishes the work of the father. The other becomes the tool of the rival printer. His lesson was to come through experience and the suffering of others.

He was one of a league whom society thought honest. The little French lady who became his wife believed him a diplomatic spy for her government, so she sailed quite contentedly off to America to work with him. Far from home and friends, she learned his true character, but the crisis was met.

After Baron Alexis swindles the people of Bellaria out of rich mining lands, King Vladimir, who is told by his counselor Kronski that Alexis bought the land in good faith, sends Prince Niclos to America to negotiate a loan on the king's collateral so that the land can be bought and given back to the people.

An oil tycoon corners the market, then cuts jobs and causes much suffering. Because she's lost her job, a young girl almost falls into the hands of white slavers.

Captain Jinks, the Cobbler was one of two Jinks comedies released by Vitagraph for Christmas 1916 and, according to the U.S. copyright filing, was loosely based on the true story of celebrated conman Friedrich Wilhelm Voigt, who passed as a Prussian officer and commandeered funds from the Köpenick municipal treasury in 1906. In Vitagraph’s adaptation of the tale, the first movie version made in America, an army officer in some unpronounceable Central European town directs Jinks to repair his gear. Hounded by his nagging wife, the cobbler dons the officer’s uniform and parades about town. The impersonation proves so convincing that the burgomeister awards Jinks the officer’s bonus. When the ruse is discovered, the court gives Jinks a choice: two years in jail or at home with his wife. The film ends with cobbler pondering the pros and cons.

Three women, each living in a separate social sphere, work out their destinies in New York.

After wandering the world for fifteen years, Hiram Perkins returns home to find his wife running a small town newspaper to support their two daughters. With pity in her heart, Mrs. Perkins allows her husband to stay in the house providing that he not disclose his identity. Mrs. Perkins is waging a battle against the re-election of Joel Skinner for a seat in the assembly, and when she learns that Skinner has mistreated old Mrs. Miller, she is determined to expose his actions. Rome Preston, running in opposition to Skinner, requests that she stop the story, but Mrs. Perkins refuses and so Preston disables the press. With Hiram's help, Mrs. Perkins prints the story and Skinner is defeated. In revenge, Skinner's men burn the press and demand that Hiram be tarred and feathered. At this moment, Mrs. Perkins acknowledges that Hiram is her husband and all is forgiven as the Perkins family is reunited.