
Acting
Milan Marić was born in 1990 in Belgrade, Serbia (then SR Serbia, SFR Yugoslavia). He appeared on stage as a teenager in the youth theater DADOV, and then entered the Faculty of Dramatic Art. His cinematic debut was in the short film Thursday (2010), the diploma work of director Nikola Ljuce. He followed the television film New Chance and the role of Koki in the series The Scent of Rain in the Balkans (2011). He made another co-operation with Nikola Ljuk acting in his short film Sergeant (2012), in which Miloš Timotijević was his screen partner. In 2014, Milan appeared in the dramatic ensemble of the drama From Paupers to Princes about the break-up of Yugoslavia and the new heroes of society. In parallel with the film career, he also debuted in professional theaters, acting in the plays Behind the Bars (Krusevac Theater, 2011), Workers Dying Singing (Bitef Theater, 2011), Suspicious Face (Yugoslav Drama Theatre, 2012) and in controversial piece presented by Zoran Djindjic (Atelje 212, 2013). After graduating in the class of Biljana Mašić in 2013, he became a permanent member of the Yugoslav Drama Theater.[2] On the centenary of the World War I celebration in 2014, he participated in three performances about the Young Bosnia and the Sarajevo assassination: portrayed Gavrilo Princip in the play Little is my grave by Biljana Srbljanović, Danilo Ilić in the play Zmajeubica by Milena Markovic and in the film The Man Who Defended Gavrilo Princip.[2] The following year, there followed the supporting roles in the films Humidity, A Good Wife and Santa Maria della Salute, where he portrayed king Milan I of Serbia. In 2018, he played young Vukan Nemanjić in the television series Nemanjić Family - the Birth of the Kingdom. For the purpose of shooting, he learned to ride and to fight with the sword.[3] In the same year, the Russian film Dovlatov premiered, a biopic about the life of Russian writer Sergei Dovlatov, in which he played the main role. Marić was recommended by actress Danijela Stojanović for the role, who worked with director Alexei German Jr. on his previous film. She showed Marić's photographs pointing to the physical similarity between the Serbian actor and the Russian writer. After several rounds of casting, he got a role.[4] Marić learned Russian in three months.[3] The film was premiered in the main competition program at the Berlin International Film Festival.

Based on the novel of Arsen Diklić which describes the horror’s of concentration camp Jasenovac.

Dovlatov charts six days in the life of a brilliant, ironic writer who saw far beyond the rigid limits of 70s Soviet Russia. Sergei Dovlatov fought to preserve his own talent and decency with poet and writer Joseph Brodsky, while watching his artist friends got crushed by the iron-willed state machinery.

An energetic and vibrant tale of two inner-city kids going to a party in a nearby town and getting into trouble with the locals. This night will change his life in coming of age drama about fears, idols and love.

Three generations - three different microcosms - are entangled in circle. They were all looking for love but ended up experiencing aggression and escape from reality.

Bogdan and Svetlana come from two different layers of a rotten social system. By chance, they run into each other in her wealthy villa. They are both unhappy with their lives, and they start a complex relationship that is from the start condemned to exist only inside the vacuum the villa provides.

Nikola’s children are taken away from him after social services decide that he is too poor to provide them with a decent living environment. He sets off on foot to lodge a complaint in Belgrade.

Biopic about Serbian folk singer Toma Zdravković, the man who is remembered not only for his songs and unique way he was singing them, but also as a bohemian, both in his behavior and his soul.

One night in Belgrade, a young guy meets a man for casual sex. By morning, different expectations can bring a new light on this chance meeting.

When 50-year-old Milena finds out about the terrible past of her seemingly ideal husband, while simultaneously learning of her own cancer diagnosis, she begins an awakening from the suburban paradise she has been living in.

Nadja is a former human rights activist who now works as an assistant to Milanka, the director of Magnolia. This large corporation buys the factory of a former giant of the metalworking industry in a consortium with foreign investors, in order to turn it into arable land. Boris, Nadja's ex-boyfriend of many years and colleague from the research organization, returns from Italy to Serbia and starts working for Savić, a businessman with political ambitions. After Nadja and Boris are connected again by business, they fall into a vortex of personal, corporate and state interests, and the fate and future of a large number of people will depend on the decisions of a few.

