The gamekeeper Straka lives by himself in the Bohemian forest hill. He has quarreled with his only son. He cannot come to terms with the fact that his son has abandoned his beloved forests and settled in a town. He has never even met his grandson Vasek. Following an illness, however, little Vasek needs some country air, and so one day his mother Jarmila delivers him to her father-in-law's cottage. At first Straka is angry, but Vasek is an unaffected lad and throws himself with verve into all the little adventures that the forest provides.

A marquee stands on a sprawling Prague housing estate and is home to two young bricklayers, who have all sorts of life experiences waiting for them in the city. Around the two rural bricklayers absorbed by the big city, the entertainment is more than a little embarrassing, toothless, revealing that at the height of normalisation, even the jolly genre of drama fared poorly, and any satirical allusions were especially undesirable. With no sense of humorous exaggeration and no wittily punctuated plots, the story unfolds, showing how the characters, living in a marquee standing on a sprawling estate, face all the pitfalls of the "big world"...

The accountants at a agricultural cooperative near Prague have completed the calculation of wages. The driver with the cashier are leaving for a bank in Prague to withdraw the cash amounting to over one million crowns. On returning back, an oncoming heavy truck appears, crashing into their car. The injured men cannot defend themselves, and the whole cash is stolen from them.

Set in Prague during the years leading up to World War II, this family saga tells the story of a cobbler named Vincenc Bursik (Vladimir Mensik), who uproots his clan from the country to the city, only to suffer the loss of his wife and the failure of his shoe business within months. When his daughter moves away to go live with a wealthy businessman as his mistress, Vincenc is left to take care of his two sons, who spend their days in a secret garden vying for the affections of a teenage girl.

A small town is one day visited by a priest who is there on a secret mission. He is a member of the Inquisition sent to investigate the activities of a local miller. The miller and his son are the descendants of an old family whose ancestral home burned down a century ago, but was rebuilt from scratch. The miller inherited much of his knowledge about the land, water, and a building's stability from generations of family experience. His reputation for finding water and predicting when a structure might collapse have come to the attention of the Inquisition -surely he must be in league with the Devil.

For the Novák and Bartáček families, money is king, and they'll do just about anything to get it. While René Novák pitches his parents a lucrative scheme to swindle as many people with the last name Novák in the country as possible, the Bartáček clan decides to pretend to be much poorer than they really are in order to siphon some dollars from an American relative. And it doesn't take long before these separate scams start to intertwine.

After inheriting a villa from his uncle, Emil Tuma meets its strange inhabitants, getting him in trouble.

A musical comedy about two indistinguishably similar siblings who love music, but each of them is completely different. Pavel Fořt is a professor of classical music at a pedagogical institute, his brother is a jazz musician and plays music in America. When the twin brother suddenly appears in Prague, they switch roles.

A youthfully enthusiastic teacher tries to raise the standard of living of the residents of a declining border village... A sympathetic young man with a suspended sentence was Josef Abrham's first big role. Miroslav Horníček often told a funny story from the set about his motorcycle rides.

Emigrants rarely do well abroad, which is why they often return to their homeland. At least, that's what the film The Poachers claims. But the long years of separation and different experiences create alienation, and the returnees lose touch with their loved ones. This is exactly what happens to the main character, who cannot understand the changes that the Czech village has undergone. Neither with his son nor with his wife can he find common ground. Although the director Hynek Bočan relies on expressive portrayal, the basic problem of the story remains its lifelessness.