The Solo documentary reveals six unique stories of individuals who use the art of dancing as their own tool in fighting back difficulties, dealing with pain, incomprehension, and obstacles standing in their way to happiness through creative self-expression. Six young performers who belong to completely different styles - classical ballet, contemporary dance, krump, vogue, experimental hip-hop, pole dance - represent the new generation of Russian artists, free from preconceptions, clichés, and ready to be part of the dance revolution. The documentary format of the project looks at real people in an intimate setting and the behind-the-scenes routine of professional dancers.

George Balanchine's jewel-themed triptych, strikingly choreographed to the music of Faure, Stravinsky and Tchaikovsky. This three act masterpiece is renowned as the world's first full-length abstract ballet. The Russian-born co-founder of the New York City Ballet, Balanchine was inspired by the artistry of jewellery designer Claude Arpels to create a trio of distinct movements revealing the essence of each precious stone. Each part also evokes three different cities: Paris, New York and St. Petersburg. 'Emeralds' was conceived as a tribute to the French romantic school, with music by Gabriel Faure. The fiery and energetic 'Rubies' taps into the rich tradition of Broadway musicals, with music by Stravinsky. 'Diamonds' honours the grandeur of Imperial Russia and the Maryinsky Theater, choreographed to the music of Tchaikovsky. With its jewel-like costumes, this is a celebration of the influences on the choreographer who was described as the father of American ballet.

On Christmas Eve, Marie is given a wooden nutcracker as a gift. When the clock strikes midnight, the Nutcracker transforms into a prince and saves Marie from the Mouse King and his army. This beloved holiday classic will enchant the whole family with its fairytale setting and Tchaikovsky’s timeless score. This live version of The Nutcracker, created for the Bolshoi by Yuri Grigorovich, is full of romanticism and philosophical reflections on ideal love.

Carmen: Impetuous Carmen seduces Don José in order to convince him to let her out of jail. Once outside, she thinks she’s finally free before realizing that she’s in fact prisoner of a love triangle: she wants to be with the famous Torero Escamillo, but she can’t make Don José go away. Petruska: At Saint-Petersburg’s carnival, three puppets are playing the same role over and over: the unhappy lover Petrushka, the coquette and a Moor. Fed up with this endless part that never goes well for him, Petrushka attacks his rival and flees from the puppets theater. Carmen Suite, staged by Alberto Alonso, is a one act ballet about a passionate, free-spirited woman caught in a love triangle. Stanislavsky’s Petrushka, choreographed by Edward Clug, encapsulates the story of a puppet that came to life, burdened by the human emotions of love, jealousy, and rage. Both stories envelop the characters which refuse to abide by the rules, to whom even the thought of submission is repulsive.