A feature-length documentary chronicling early '80s punk rock band the Minutemen, from their beginnings in San Pedro, California, to their demise after the death of singer D. Boon in 1985.

Guerilla filmmaker Brendan Toller unleashes I NEED THAT RECORD! THE DEATH (OR POSSIBLE SURVIVAL) OF THE INDEPENDENT RECORD STORE, "an elegy for a vanishing subculture...a lively, bittersweet film that examines - with caustic humor, brutal candor, and, ultimately, great affection - why roughly 3,000 indie record stores have closed across the nation over the past decade," (Johnathan Perry, Boston Globe). A tour-de-force tale of greed, media consolidation, homogenized radio, big box stores, downloading, and technological shifts in the music industry told through candid interviews, crestfallen record store owners, startling statistics, and eye-popping animation. Fat cats or our favorite record stores? You decide. Featuring- IAN MACKAYE, NOAM CHOMSKY, MIKE WATT, THURSTON MOORE, LENNY KAYE (Patti Smith), CHRIS FRANTZ (Talking Heads), GLENN BRANCA, PATTERSON HOOD (Drive By Truckers), PAT CARNEY (Black Keys) , LEGS MCNEIL, BOB GRUEN, BP HELIUM, and many indie record stores across the U.S.

Long before Green Day and Blink 182 inflicted punk-rock's puncture wound on the map of mainstream music, the Descendents were at home concocting the perfect mix of pop, angst, love, and coffee. FILMAGE: The Story of DESCENDENTS/ALL follows drummer/square-peg Bill Stevenson and his 'caffeinated retardedness' as he pushes his rotating door of bandmates to 'achieve ALL,' his philosophy of going for greatness at all costs. Stevenson is a force to be reckoned with--not even grapefruit-sized brain tumors can keep him down.

Three teenagers from the industrial part of Los Angeles try to form a punk rock band in Hollywood, in this feature length film by renowned artist Raymond Pettibon.

Featuring a cast that includes Sonic Youth's Kim Gordon and Thurston Moore, Mike Watt of the legendary hardcore band Minutemen, and Pettibon himself, this deadpan narrative pays dubious homage to the 1960's radical underground. In this crudely rendered home video of a commune of stoned revolutionaries, the cameras are hand-held, the edits in-camera, and the dialogue is wryly on-target. Pettibon's band of outsiders reenacts a countercultural moment defined by rock music, drugs, and ideological paradox — and in so doing, captures their own late-80's West Coast grunge milieu as well.

Gatling Pictures' "Cure for Pain: The Mark Sandman Story" examines the life and work of Mark Sandman, deceased frontman of Boston "low rock" band Morphine. From his Newton, Mass., roots to his travels across America and around the globe, Sandman left an indelible imprint as one of the most distinctive musicians of his generation. Along with revisiting the "unique and sultry sound" of his music, the film explores the meaning of family through this critically praised and personally conflicted singer, songwriter and innovative instrumentalist.

From the shifting fault lines of Hollywood fantasies and the economic and racial tensions of Reagan's America, Fishbone rose and became one of the most original bands of the last 25 years. With a blistering combination of punk and funk they demolished the walls of genre and challenged the racial stereotypes and the political order of the music industry and of the nation.

Filmed during their 2005 reunion tour, this release captures the sonic guitar assaults of Dinosaur Jr. onstage, playing the songs "Gargoyle," "Little Fury Things," "Just Like Heaven," and more. Also included is rare behind-the-scenes footage featuring the band, as well as interviews with Kim Gordon and Thurston Moore (Sonic Youth), Mike Watt (The Minutemen), and guitarist Steve Albini.

Four awkward 17-year-olds struggle through their senior year. Like most high school students, they ride a continual wave of embarrassment: crappy after-school jobs, attempted sex in the science room, tinfoil shorts, guitar-strumming hippie teachers and brushes with the law. The only difference is that their moments of humiliation are caught on tape--our gang of four are the subjects of a documentary shot by fellow classmates.

Written and directed by San Diego based musician and filmmaker Jason Blackmore, Records Collecting Dust documents the vinyl record collections, origins, and holy grails of alternative music icons Jello Biafra, Chuck Dukowski, Keith Morris, John Reis, and over thirty other underground music comrades.