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Turned while visiting New York, down-on-her-luck Neue Deutsche Welle vampire Sylvana struggles to get by in 1980s West Berlin when she realizes none of her friends want to be bitten.
The life story of Charlotte von Mahlsdorf, who survived the Nazi reign as a trans woman and helped start the German gay liberation movement. Documentary with some dramatized scenes. Two actors play the young and middle aged Charlotte and she plays herself in the later years.
Nurses on the night shift roll dice to see which AIDS patient will die next. The owner of a gay bathhouse gets Kaposi's Sarcoma but tries to keep his mind on profits. An epidemic victim is harassed by a reporter on his death bed - he sticks her with a contaminated syringe. The government opens a quarantine called Hell Gay Land. Gay terrorists kidnap the Minister of Health...
Tally Brown, New York is a 1979 documentary film directed, written and produced by Rosa von Praunheim. The film is about the singing and acting career of Tally Brown, a classically trained opera and blues singer who was a star of underground films in New York City and a denizen of its underworld in the late 1960s. In this documentary, Praunheim relies on extensive interviews with Brown, as she recounts her collaboration with Andy Warhol, Taylor Mead and others, as well as her friendships with Holly Woodlawn, and Divine. Brown opens the film with a cover of David Bowie’s “Heroes” and concludes with “Rock ’n’ Roll Suicide.” The film captures not only Tally Brown’s career but also a particular New York milieu in the 1970s.
Personal diary-style documentary of German Gay rights activist Von Praunheim's sojourn in the US.
Only the chosen few know this woman who started working as a secretary for the German Film and Television Academy (DFFB) on 13 February, 1966. The path of Helen’s career is paved with famous names – including that of Wolfgang Petersen, Holger Meins (who later became a member of the Red Army Faction) as well as directors Wolfgang Becker, Detlev Buck and Christian Petzold. All have fond memories of forgetting their troubles after having poured their hearts out over a cup of coffee in Helene’s office – for Helene was both friend and advisor to countless film students.
Rex Gildo’s songs and musicals made him very popular. His best-known song was “Fiesta Mexicana” from 1972. Rosa von Praunheim tells the story of his life in the context of the gay pride movement, the normative pressures of the Schlager music industry, and the profound changes currently underway.