A documentary concerning the violent Italian 'poliziotteschi' cinematic movement of the 1970s which, at first glance, seem to be rip-offs of American crime films like DIRTY HARRY or THE GODFATHER, but which really address Italian issues like the Sicilian Mafia and red terrorism. Perhaps even more interesting than the films themselves were the rushed methods of production (stars performing their own stunts, stealing shots, no live sound) and the bleed-over between real-life crime and movie crime.

A documentary concerning the violent Italian 'poliziotteschi' cinematic movement of the 1970s which, at first glance, seem to be rip-offs of American crime films like DIRTY HARRY or THE GODFATHER, but which really address Italian issues like the Sicilian Mafia and red terrorism. Perhaps even more interesting than the films themselves were the rushed methods of production (stars performing their own stunts, stealing shots, no live sound) and the bleed-over between real-life crime and movie crime.

A documentary concerning the violent Italian 'poliziotteschi' cinematic movement of the 1970s which, at first glance, seem to be rip-offs of American crime films like DIRTY HARRY or THE GODFATHER, but which really address Italian issues like the Sicilian Mafia and red terrorism. Perhaps even more interesting than the films themselves were the rushed methods of production (stars performing their own stunts, stealing shots, no live sound) and the bleed-over between real-life crime and movie crime.

A look at various American actors whose career switched from USA to Italy in the 70s and 80s.

A look at various American actors whose career switched from USA to Italy in the 70s and 80s.

A look at various American actors whose career switched from USA to Italy in the 70s and 80s.

A look at various American actors whose career switched from USA to Italy in the 70s and 80s.

A feature length cinema documentary on how THE FARMER (1977) became the most-requested cult film of the new millennium, and it's a crazy tale that involves an actor incarcerated for manslaughter, serious on-set injuries, banana-man costumes- as well as surprising links to Clint Eastwood and Martin Scorsese. The film also broadens its scope to explore the overlooked, eclectic and often ultra-violent sub-genre THE FARMER belongs to - The Returning Veteran film. A film type that hit its stride in the 1970's with hard hitting character studies such as WELCOME HOME, SOLDIERS BOYS (1971), THE NO MERCY MAN (1973) and ROLLING THUNDER (1977).

An aging killer trains a young hired gun in a plot to assassinate a meek brothel owner performing barbaric abortion acts on his prostitutes.

In a small rural town hit hard by the Depression, Katie Connors resides in a middle-class home with her bootlegging husband Melvin. When the opportunity arises to bump him off without getting her hands dirty, she takes a chance she may never get again. After his murder at the hands of criminal Richard Hayden, she begins to receive inopportune visits by Melvin's old business partners about a large shipment of moonshine in her possession. Contacting the FBI for help, agent Ron Sheridan is assigned to her case and develops an unrequited love for Katie. But when a full-scale war develops, she learns the FBI may not be much help to her as she thought, and Katie must take matters into her own hands to pay off her husband's debts for good.