A vagabond actor traveling through a strange city collides with his long-lost love-- an illegal immigrant and cleaning lady he met back home in Hungary 25 years ago.

In 1960s Hungary, an introverted teenager’s life is turned upside down by a few days in the company of his coat hanger salesman uncle: a roguish charmer with a zest for life and a weakness for horse racing and women.

After years spent dealing with her family’s rejection, Karla Rae James, 60, is finally ready to transition from male to female. Polina Teif followed her for three years, the duration of her journey. The bond between the director and Karla allows us intimate access to a very complex process, full of pain and struggle. Showing her operations and the importance of time passing, Bittersweet Becoming is an incredible portrait of affirmation of identity and intergenerational dialogue.

Office drone Maria Barbizan leads what looks like a meaningless life. She’s lonely, and she doesn’t really exist, at her job or within her family. One day, she does everything we’ve all dreamed of – she throws her purse and old life in the trash, and joins an enigmatic contest to win... a car. Locked in a room with four strangers, each more eccentric than the next, she must go through a series of challenges – a “competition to probe the very essence of mind-body articulation”, lead by Homunculus, an intriguing and curious host.

The horrors of war are examined from the view points of lifelong friends (Linus Roache, Vincent Perez), who end up on opposing sides in the civil war in Sarajevo. One is an expert marksman, who trains the snipers used to terrify the city and the other becomes a freedom fighter, who rejects his friend's offer to gain an escape from the city. As might be expected, the two eventually have to face-off against one another.

"Once upon a time there was an old gypsy. He had never left the hill where he lived. He never went to the inn, nor read the newspaper or watched Dallas. He was a proud man who liked to tell stories. Even though he avoided the church, he knew what the fear of God was. The old gypsy was blessed by three beautiful daughters whom he loved more than anything else. The two older ones soon found husbands, but the youngest Sarolta only walked up hill and down dale. She was the apple of his eye..." This is the beginning of Romani Kris. The film shows the gypsy Lovér and the village idiot Tamáska on their dramatic and adventurous journey through a Hungarian landscape at times lush and at times barren to present a lyrical, magical and unforgettable story.

Three degenerates navigate the descending hierarchy of post-consumerist enlightenment.

When his family moves from their home in Berlin to a strange new house in Poland, young Bruno befriends Shmuel, a boy who lives on the other side of the fence where everyone seems to be wearing striped pajamas. Unaware of Shmuel's fate as a Jewish prisoner or the role his own Nazi father plays in his imprisonment, Bruno embarks on a dangerous journey inside the camp's walls.

In the Kerepesi Street cemetery, three grave diggers contemplate the fate of the world, then they step out of this role and in a sequence of episodes they play the typical figures of contemporary Hungarian reality, the fat cat, the swashbuckler, the victim, underworld chieftains, and present little absurd dramas of love, marriage, friendship, public order and legal safety. The author and the film director walk among them all the time, contemplating, laughing at their plays. The stories starting from the graveyard and returning there warn of the inevitability of death. The author and the director (Gyula Hernádi and Miklós Jancsó) wisely make friends with death.

1979. Gábor H. works in a law enforcement institution. He robs a bank branch, gets into jail. 1989. Gábor H. and the similarly unemployed Sanyi want to get money by robbing.