Madrid, 1924. A ne'er-do-well in his 30s, perpetual disappointment to his aging military father, hatches a plan to rob the mail train to Andalusia. He intends the hit to be bloodless, but complications arise soon.

Luciano has been working in an important company for fifteen years without be rewarded for his efforts, his fidelity and submission. On the recommendation of a cousin, he acts as front man for the shameful business of his managers. They get it so far as to force him to marry the former mistress of one of the directors. Finally, because of a fire in the chalet where he lives and where they cook the dirty business of which he is not responsible for, Luciano ends up in jail for covering up and taking on some responsibilities that are not his, fulfilling his role of straw man until the end.

Pedro, a street photographer who fought during the Spanish Civil War on the Republican side, becomes obsessed with a young model.

Stig-Helmer and Ole Bramserud on a trip to the Canary Islands for Christmas.

There are nearly three dozen major televised, theatrical and cinematic productions paying homage to this revision of the original tale of Don Juan. Playwright José Zorrilla's work, was first written and published in 1844, and it soon became one of the most popular plays of the 19th Century. Spanish Director Alejando Perla's own 1952 cinematic version is probably the best-known of several films made concerning Zorrilla's take on the exploits of the immortal Don Juan-in just a 15 year period, (starting in 1936). His version stands out because it focuses on why Don Juan Tenorio should repent, after reflecting on a hedonistic life of drinking, followed by his enchantment, seduction and ultimate corruption of the innocent and married women he seduced then callously abandoned all throughout Seville.