Sporadically employed and still living with his successful neurosurgeon mother, Joel finds his only joy in falconry in the flatlands outside Mexico City, until an encounter with a down-to-earth secretary forces him to face reality.

Sporadically employed and still living with his successful neurosurgeon mother, Joel finds his only joy in falconry in the flatlands outside Mexico City, until an encounter with a down-to-earth secretary forces him to face reality.

In Guest of Honor we follow a family that comes across a deer while having a Sunday picnic and decides to take the animal home as a pet. This decision turns out to have bizarre consequences.

In Guest of Honor we follow a family that comes across a deer while having a Sunday picnic and decides to take the animal home as a pet. This decision turns out to have bizarre consequences.

The story of Sergio, a hawk trainer, within a few scenarios that are intertwined to show his life in a contemplative manner.

Just after the earthquake of September 19, 2017 that struck Mexico City, Calderón established a close relationship with the maintenance staff of the Cibeles Fountain. The video narrates a series of events told by a real character who also reenacts them around this specific landmark.

16mm short film where the artist transforms into a dog.

Chameleon is an installation made up of a projection and a series of hangers-objects used by falconers to transport their falcons and on which they rest during the hunt-folded on the floor of the sals. In the film, Miguel Calderón follows the weights of Chameleon for 24 hours, a falconer who works at night as a bouncer in a bar in the south of Mexico City, and who by day goes hunting his falcon every night, with whom he has developed a relationship. Emotional bond is his closest bond with a reality far removed from the situations of extreme violence to which he has been exposed since childhood.

Juvenile Devils is an assemblage of film fragments from different periods that Miguel Calderón had previously discarded. The video unveils a contin- uous editing process that gives cohesion to a series of apparently uncon- nected and fragmented images. In the artist's words, "It's an ode to the disillusionment of the 90s, to the disorientation caused by excessive tele- vision consumption that gave us the false illusion of a promising future that would never come". The piece also documents the way in which Miguel Calderón works, as he instinctively captures everyday situations and behaviors whose strange- ness often transcend socially accepted canons.

The Magic Lantern Cinema, a theater in the south of Mexico City was affected by a flood and later by the earthquake of September 19, 2017. This is a documentary about what happened afterwards.