Countess Diana de Belflor is in love with Teodoro, her secretary, but he is engaged to Marcela.

Two night watchmen take a man sleeping on a park bench to the police station.

Carmen, a journalist with two children, is on her third marriage, to Antonio, a record producer. Over the course of a year, we follow her through her discontents: Antonio's lateness, his fatigue when she wants to make love, his insistence on her company when she prefers solitude, his treating her work as less important than his, his casual and cruel dismissal of her opinions, her boss assigning her an incompetent editor, bartenders ignoring her, her passage into middle age. She can be feisty and edgy, which sometimes gets in the way of what would make her happy. And she regularly threatens to leave Antonio. Will she, and on what terms? What will he do?

Don Luis is the owner of an industry and all his family work in it, allowing he to become a staunch patriarch.

In the late '50s, a young student falls in love with actress Kim Novak and fills the walls of his room with her photographs. One day, he meets a girl who looks a lot like her at a party, but is so shy that he needs to get drunk to declare his love.

Spain, 1977. The first general elections are about to take place after the long dictatorship and the progressive environment of Madrid is easily palpable. Protagonists, Carmen and Juan were once married and now living separately, both have a child. It's one of the only reasons they maintain cordial to one another. Their separation, the political context and the contradictions of the progressives of the time will not defeat the affinity between the two.

Salamanca director Chema de la Peña recalls in this feature documentary professionals early filmmakers like Fernando Colomo, Fernando Trueba, Imanol Uribe, Carmen Maura and Antonio Resines, protagonists of the so called 'New Spanish Cinema' in the 80s. His first films were produced between friends, her back to the industry. Rolled with minimal budget and with the sole intention of having fun ... And big surprise were critical and box office successes. And also true generational manifestos.

King Carlos II of Spain (r. 1665-1700) once sent his brother Luis to lead a military expedition into Albania and conquer that land for the Spaniards. Since Albania was a part of the dowry of Luis' wife, it seemed like a reasonable idea at the time. While that expedition and its final battle is the subject of this historical film, the scale involved can hardly do justice to the concept. The protagonists talk incessantly, and by the time they get down to the final grand battle, it turns out to be a skirmish between several dozen men.

Persecuted by her controlling ex-husband, Rosa plots an escape

Two middle aged Spanish men bump into each other at a music store: Calvo, who is a TV actor, and Casado. They were school mates and haven't met for a long time. They begin to remember old times, for instance, when they had to sing the post civil war Spanish anthem and they mistook the lyrics. But suddenly Calvo gets mad, breaks some discs, takes Casado to a small room, and acts as if he were the priest at the school. This priest has found that Casado had dirty magazines in his bedroom, and threatens him to tell his family if he doesn't give away the name of the boy who commits vandalism in the school. Terrified, Casado gives Calvo's name. Calvo comes back to the present, says he wasn't guilty, quietly pays the broken discs, and leaves the store.