A depressed entertainer wants to conquer the stages of the world. He has only one problem: no one knows him. His ambitious sister wants to change that. She organizes a film crew to record his glamorous rise, but instead deep abysses reveal themselves behind the facade.

Nina and Karl are a perfectly normal, crazy couple. They can't live with or without each other. But suddenly, Nina can no longer stand the routine and decides to run away. She wants to be somebody else, though not (yet) an adult. The unfamiliar loneliness also affects Karl. Nina, meanwhile, doesn't seem to be able to get rid of Karl quite so easily.

Harald eagerly anticipates the wedding of his only daughter. His biggest problem is his belief that his deceased wife lives on in a mannequin, which he wants to bring to the wedding celebration.

It's his last chance to get back on his feet. And so Philipp Keyser knows no scruples as he approaches the young painter Alma, to find a lost painting, which is in the possession of a mysterious old man. Too late, Philip is clear that he expires more and more the young woman. In the main roles of Dominik Graf's film "In the evening of all days" Friedrich Mücke and the great theater actor and narrator Ernst Jacobi are to be experienced.

1963: The Hermanns, a typical German family, is selected as one of the first households to try out the new Sofortbild-System 63.

During the 1972 Munich Olympics, an American sports broadcasting crew finds itself thrust into covering the hostage crisis involving Israeli athletes.

Jojo, a young art student, discovers the microcosm of an art academy with all of its opportunities and contradictions.

When 22-year-old Rainer Werner Fassbinder storms the stage of a small, progressive theatre in Munich 1967, and seizes the production without further ado, nobody suspects this brazen young rebel to become one of the most important post-war German filmmakers. Despite early setbacks, many of his films breakout at the most renowned films festivals and polarise audience, critics and filmmakers alike. His radical views and self-exploitation, as well as his longing for love, have made him one of the most fascinating film directors of this time.