
Acting
Miecke Marie de Rijder (17 March 1940 – 3 May 2022), known as Mieke Widjaja , was an Indonesian actress, model, and singer. She was nominated and won the Indonesian Film Festival award for Best Actress in the films Gadis Kerudung Putih (White Veil Girl ) (1966) and Kembang Semusim (Semasa Flower) (1980). Role in television by starring in the series Rumah Masa Depan in 1984, then she starred in the series Losmen in 1986 which was an adaptation of the writings of Tatiek Maliyati and Wahyu Sihombing. The series re-popularized her name with the nickname Bu Broto, Mieke even received a call from one of her fans who had just returned from Bangkok to ask to tell her about one of the episodes of Losmen that he missed. Mieke took a break from the film world in 1987 and preferred to focus on acting in soap operas and managing her own clothing store business which she named Mieke Wijaya Jeans Collection, after which she returned by starring in the film Saat Kukatakan Cinta in 1991. After the Indonesian film industry declined in 1992, Mieke spent more time playing in soap operas Antara Jakarta-Perth (1995 – 1998), Doa dan Anugerah (2003), Bunga di Tepi Jalan (2005), Dewi (2009), etc. One of her soap operas, namely Antara Jakarta-Perth, managed to make her win the award for Best Supporting Actress at the Asian Soap Opera Festival. The last time she played a role in the miniseries Supir dan Majikan in 2019. In 1999, Mieke joined the United Development Party and accompanied Hamzah Haz in attending a mass meeting held at the Diponegoro Stadium, Semarang, on Sunday, February 28, 1999.
As a result of the civil war in Majapahit, the Queen Mother fled to Ampel escorted by Mahesa Kicak. There happened to be gathered saints. The Queen Mother asked those who still have close links with the Majapahit, can restore the honor of Majapahit. Sunan Ampel explained, that padepokannya built just to spread Islam.

The story of Indonesian paratroopers during the fighting for the island of Kalimantan.
This is the heroic story of Mochamad Toha, who successfully blew up a Dutch ammunition depot in Bandung and ruined their defences. Set in Bandung at the time of transition, between the departing Japanese and the incoming Dutch (who are supported by the British), Indonesians had to fight for their independence. Toha emerged as a leader of the common people, who saw injustice and oppression, and who sacrificed himself by blowing up the ammunition depot.
During the revolution, Japan is defeated but has yet to surrender so a 14-year-old boy insists on joining the army, to avenge his father, who is incarcerated in Nusa Kambangan for murder. His actions are brave yet extreme in every way. Recognising this, the commander promotes the boy to section head, even though all his men are older than he is. He takes the most dangerous missions and as a result, one of his men dies. The late man’s girlfriend then volunteers, and is also killed, after being just as reckless as the boy.

In a university campus, most of the rich kids are driving sedans, except for the lovely Narti, who rides a rickshaw. Iwan, a friendly and sympathetic guy, rides his motorcycle, and they soon develop an intimate and playful relationship. There are also others such as the shy Hendro, and the disheveled and free-spirited Tari. The drama concerns some conflict between Iwan and his father, and also Narti’s parents’ attitude toward Iwan. The film highlights the young social life on campus and the appeal is in the fresh dialogue, which is sometimes critical.
Herman, a customs officer assigned to eradicate smuggling, often loses his temper. When a smuggler’s ship is reported, he immediately orders a search-and-destroy but it’s a reckless act that results in the easy escape of other ships. Then Herman is posted to the mainland as punishment. Here, he reunites with an old friend, Rusli, who offers him a bribe. Herman is now a suspect as several of smuggling ships are able to escape. But it is Herman’s strategy to gain Rusli’s trust so that he can eradicate smuggling at its root. He is reposted back to sea.

The colonial court sentenced Tohir harshly on 22 September 1938. The sentence is made harsher because the prosecutor, Hasan, discriminates more on Tohir’s lineage than his crime. But in fact, Tohir commits his crime out of necessity as his wife is pregnant and about to give birth. He is sentenced to hard labor in exile so when he finds out that his wife and child are dead, Tohir escapes and kidnaps Hasan’s son, Husin. He raises the son in a life of crime, but lives like a respectable man. Husin also lives a double life. He is loved by an innocent girl in the village, but in other places, he plays around with women. In his old age, Tohir becomes a drunk and then he finds out that the government has awarded Hasan for his services. He uses Husin, nicknamed Boy, to avenge himself by sending him to rob Hasan’s house. Husin fails and is sent to trial. There, while drunk, Tohir reveals who Husin really is. Hasan and his wife then welcome Husin back.

The story begins with a commotion in court during the trial session of a wild girl who was involved with pornographic photos when a former nurse appeared to reveal that the girl was the daughter of a famous tycoon in Jakarta. Meanwhile, the rich man's daughter who had just gotten married was the biological child of the wild girl's mother, who was a prostitute. The two were exchanged when their newborns were in the hospital.
Set in the real event of the sinking of the KRI Macan Tutul in the Trikora area, Wahab Abdi is an officer of that boat. As he is pronounced dead, his girlfriend, Liliana, marries another man. But Wahab is not dead; he is hospitalised in the navy hospital. Later, his nurse, Shinta Dungga, falls in love and marries Wahab at the end.
