The screenplay is based on an authentic story of a robbery of a branch of the National Bank of Poland in Wolow. The thing took place in 1962, 12 million zlotys were stolen. For some time the perpetrators remained at large. Soon, however, the police came across their trail and the criminals were soon captured. And then the real bomb went off. It turned out that the thieves were not people listed in the police annals or even in contact with the criminal world. All the robbers had a reputation as "respectable citizens", by no means suffering from a lack of cash.

The screenplay is based on an authentic story of a robbery of a branch of the National Bank of Poland in Wolow. The thing took place in 1962, 12 million zlotys were stolen. For some time the perpetrators remained at large. Soon, however, the police came across their trail and the criminals were soon captured. And then the real bomb went off. It turned out that the thieves were not people listed in the police annals or even in contact with the criminal world. All the robbers had a reputation as "respectable citizens", by no means suffering from a lack of cash.

Danka was an unwanted child. From an early age she had to cope on her own. Despite harsh conditions and difficult experiences, she has not lost her dignity, has remained true to her ideals, and has a sense of integrity and honesty. When the opportunity to conditionally shorten her sentence in a correctional institution by getting married hits her, she rejects the tempting offer. She doesn't want to hurt the man she doesn't love, who has shown her a lot of heart. Danka's friend has taken advantage of her conditional release, without hiding what her motives are, by the way.

After leaving prison, Tolek plans to get revenge on his former girlfriend.

After leaving prison, Tolek plans to get revenge on his former girlfriend.

Two strangers, Jerzy and Marta, accidentally end up holding tickets for the same sleeping chamber on an overnight train to the Baltic Sea coast. Also on board is Marta's spurned lover, who will not leave her alone. When the police enter the train in search of a murderer on the lam, rumors fly and everything seems to point toward one of the main characters as the culprit.

In 1958, graduates of the Film School in Łódź – director Mieczysław Waśkowski and camera operator Adam Nurzyński – produced in cooperation with Tadeusz Kantor the short film Somnambulists. The colourful, painting-like moving image was an attempt at transferring the informel onto film stock.

Intended as a documentation of Polish artist and theatre-maker Tadeusz Kantor’s “informal painting”, Mieczysław Waśkowski’s film develops a hectic experimental life of its own. The gestural application of paint is staged on changing spatial levels by means of glass plates, camera movements and lighting, making not the painter but the abstract form-finding the movie star.

Jacek is a handsome, charming young Pole who belongs to a drama company. One day, in the streets of Gdansk, he meets Marguerite, a beautiful, charming French girl. He falls for her but the young lady is whimsical...

Fram is in a German POW camp where brutal, cold-hearted Gestapo officers like Weber or Von Steinhagen terrorize and execute their Polish prisoners. One day Fram sees a way to escape the camp and he takes it, heading out to find his fellow resistance fighters.