Lacking a coherent plot, We're All Riding on a Circus Elephant depicts the collapse of western civilization as a free-form collage advocating group anarchy and actor improvisation. The stage is a boxing ring. Those actors who are "onstage" get into the boxing ring and assault each other with words. Others heckle and cheer at the sidelines, or act as a rhythm-and-blues chorus while changing costumes or wigs. Taking as its coda Andy Warhol's dictum that everyone gets fifteen minutes of fame, actor transformations depict the Breakdown of Japanese values and selfhood due to an obsession with popular American culture.

A High Class Call Girl is revisited by her ex lover who she thought died 5 years prior.

After saving a girl from rape, a bored rail worker finds out about a chemical that makes people sleep and gets carried away into a new, violent world of ideas.

The Japanese pop music duo Pink Lady are circus performers who show kindness toward a captured "monster," a sad, furry being (played by a man in a bulky, over-sized pink acrylic costume) who suffers acts of unusual cruelty by the keeper and ringmaster before the girls escape with the creature in a circus trailer.

"Atlanta Boogie" centers around a mock track meet between the "normal" and "good" citizens of Yokohama and those they want to expel from the neighborhood: the illegal foreign workers, the deadbeats, the juvenile delinquents, and elderly.

A youngster, Wil had a dissatisfaction to the society which the computer controls the total life of a person. One day he catches a strange telepathy from outer space.

A human drama that rethinks what it means to be a family through the images of a couple, parent and child whose paths have crossed.

Story set in Yokohama.

1980's Toho comedy

Short movie featuring Pink Lady