Monsieur Hulot, Jacques Tati’s endearing clown, takes a holiday at a seaside resort, where his presence provokes one catastrophe after another. Tati’s masterpiece of gentle slapstick is a series of effortlessly well-choreographed sight gags involving dogs, boats, and firecrackers; it was the first entry in the Hulot series and the film that launched its maker to international stardom.

An officer saves the life of a foreign prince who is in France to buy seaplanes, while pursued by his enemies.

A series of vignettes, in which Noel-Noel appears as the moderator, lecturer, commentator and leading actor, that examine the bores and pests of everyday life much like Pete Smith and Robert Benchley had done for years in American short subjects. Among those are the Practical Joker who will do anything for a laugh; the Party Entertainer who never stops singing; the Talkative Neigbor who forgets the time; the noisy neighbors who dance the tango all night; and women drivers, people who telephone at meal time, the friend you never saw before and amatuer medical experts. Much use of trick photography, montages, puppets and animation along with some adult Gallic wit and gentle satire.

Catherine, 18, loved Jean, a young accountant, who loved her in return. And yet, one morning, two policemen find their dead bodies on a stretch of waste ground. The case is obvious: the two young people have killed themselves. But why? Chief Inspector Ernest Plonche, feeling upset, decides to investigate personally.

Fates of multiple otherwise disconnected characters intertwine miraculously under the sky of Paris. And it all happens in one day.

Identite Judiciare stars Raymond Souplex as wily French police inspector Basquier. The villain is Berthet (Jean Debucourt), a high-ranking government official. Basquier suspects that Berthet is a vicious murderer, but is unable to prove anything thanks to bureaucratic interference. Thus, the good inspector plays a waiting game a la Columbo, hoping for that one fatal slip on the part of the killer. Certain portions of Identite Judiciare proved a bit too intense for American audiences, and were accordingly snipped by the censors.

Back from the war, Marceau Le Guern remembers. Educated in an orphanage run by Dominican brothers, he fell into misery when he left it. His only asset was his good looks, which did not escape the attention of Madame Alice, a shady woman who persuaded him to pose for pornographic photos meant for lonely aging women. Marceau also served as a gigolo before the war and captivity put an end to this juicy business. Now he wants to start a new life, all the more as ha has found love in the person of a pure young lady named Dominique. But Madame Alice won't hear of it...

Francois is engaged to Isabelle. While going to buy the engagement ring, he meets Sophie, who puts the ring on her finger and does not manage to remove it. Francois follows in the footsteps of Sophie, who is married to an important merchant, in order to recover his property.

Blanche is the young, pure, beautiful wife of the Master of the castle, in a secluded land. Every man is in love with her, including the King and his servant Bartolomeo, visiting the Master.

In a maternity hospital, young single mothers are accompanied by social worker Hélène Lambert, who tries to make them aware of their new responsibilities, while Dr. Baurain stresses the importance of their moral and sexual education. They come to the aid of several young women: one who would like to give up her child to a couple applying for adoption, another who, after the death of her first baby in dramatic circumstances, is expecting a second, and many others.