A group of tenants and visitors are trapped in a 10-story high-rise apartment building infested with demons who proceed to hunt the dwindling humans down.

The docufilm tells the story of Paolo Villaggio's genius through the most iconic Italian character, accountant Ugo Fantozzi. The work was featured in the Classics section of the 74th Venice International Film Festival.

A pacifist pest controller tries to catch the rat infesting a nuclear power plant.

A school janitor pretends to be a priest in order to give private lessons to a young top model.

The young manager of a small television station loses his sight following an accident. When he buys her back, thanks to a new accident, he discovers that his wife is cheating on him, that his best friend has sold the television and that the girl he was falling in love with is only an investigator of the insurance company.

Two convicts escape from prison and evade the law by taking hostage the middle-class family of a doctor. One of the jailbirds calls the local television station, requesting that they broadcast his demand for a plane so they can escape the country. The television director and his crew show up to film the hostage crisis, and then things get progressively more bizarre and satirical. Not content with the living drama, he directs everyone's actions to make the event more newsworthy.

Dante arrives at the castle of the recently deceased Marquis Zanetti to sell a book which contains a prophecy that the death of nine members of the Zanetti family will reveal a hidden treasure.

After a hard day at work and a condominium-board meeting, accountant Ugo Fantozzi goes on a trip with his family. Unfortunately, he will face a nasty surprise upon his return.

Italian film directed by Pierluigi Ferrandini. On the night of May 26, 1956, a terrible bloody event occurred within the home. In Bari at the dawn of the economic boom, the twenty-six-year-old Franco Percoco, coming from a "normal" lower middle class family, carried out a family massacre - the first after the war to have great media coverage - and was consigned to the news as the "Monster of Bari ".

There are two problems with Emilio and his career as a pulp writer. Emilio is a bumbling fellow who has absolutely nothing in common with the heroes he writes about. Second, Emilio can't seem to publish anything under his own name.