Germany, 1931. The youth novel "Emil and the Detectives" is being filmed, which will make its author, Erich Kästner, world famous. An unusual friendship begins between the childless author and fatherless Hans, the 9-year-old playing the character Little Tuesday. Their friendship is put to the ultimate test in the Third Reich when Kästner's books are banned and little Hans becomes a Hitler Youth. Based on a true story.

A man is murdered on a remote riverbank, and a young woman confesses to the murder to the police that same night. Forensic psychologist Karla Eckhardt identifies the confessed perpetrator as Anna Lobrecht, whom she had classified as a compulsive liar in a report two years ago. It's possible that Lobrecht isn't telling the whole truth this time either.

Photographer Anja Niedringhaus was 26 when she came to Sarajevo in 1992 to report on the war. It's bitterly cold there, there's no electricity, hardly any food, and everyone's lives are constantly in danger. Spanish photographer Sergio takes her under his wing and shows her how to survive in a war zone. Anja reported on the scene with interruptions for almost three years, later she worked in Kosovo and Afghanistan, among other places. In 2001 she switched to the most renowned photo agency in the world, the Associated Press . Her photos end up on the front pages of the major international newspapers, and in 2005 she received the Pulitzer Prize for her reporting from Iraq. In Kabul, she meets the AP's chief correspondent, Kathy Gannon, and the two soon become an inseparable team. But then a devastating attack took place during the Afghan presidential elections in 2014.

Frank Hennings loses his wife and daughter in a bomb attack in the middle of Berlin. In his grief, the retired civil servant focuses on just one goal: revenge. When the investigation is closed prematurely, he travels to Morocco on his own initiative and follows in the footsteps of Sharif Nader, the suspected mastermind of the attack. In order to get close to Nader unhindered, he applies for a job as a private tutor for his 13-year-old daughter Yasmin using forged papers. While Hennings teaches the girl in a heavily guarded house, he waits for a favorable opportunity to shoot her father.

Munich, 1968: 21-year-old Laura, who has emigrated to the USA with her husband Gabriel, returns to her old home in Munich. Laura's father has been killed in a traffic accident a few days earlier. Her younger sister Friede is in a coma. Overwhelmed by the pain, her mother has withdrawn from the outside world. Laura feels abandoned, as she had hoped that the shared grief might help to overcome the tense relationship between her and her mother. Throughout her life, her mother was incapable of empathizing with her children and avoided any physical closeness. When her mother refuses to visit the critically injured Friede in hospital, Laura forces her into a confrontation in the hope of gaining a better understanding of her mother.

In 1933 in Berlin. Anna is only nine years old when her life changes from the ground up. To escape the Nazis, her father Arthur Kemper, a well-known Jewish journalist, has to flee to Zurich. His family, Anna, her twelve-year-old brother Max and her mother Dorothea, follow him shortly thereafter. Anna has to leave everything behind, including her beloved pink rabbit, and to face a new life full of challenges and privations abroad.

Anna, an outstanding software specialist, is entrusted with the creation of a computer program designed to ensure the most complete possible surveillance of the immigrant scene. The fact that her boyfriend, Max Haugsdorff, is head of section at the Ministry of the Interior and as such also responsible for foreign police agendas, is probably one of the coincidences of affection and for both of them - at least initially - devoid of any professional calculation. The relationship becomes more difficult when Anna meets the young Turk Hikmet.

"Kainer dies here today" tells an exciting and bizarre way about the last days of a man who seeks the loneliness to die, but first has to face the absurdity of life.