A rich industrialist is brutally kidnapped. While he physically and mentally degenerates in imprisonment, the kidnappers, police and the board of the company of which he is director negotiate about the ransom of 50 million euro.

Six months after losing their five years old daughter in a fire in the barn of their little farm, Jean and his wife Laure are facing troubles in their relationship and financial problems. Laure grieves the loss of their daughter and blames herself for her absence and Jean for his negligence for the fire; Jean is trying to rise from the ashes and somehow rebuild his life; and the insurance company refuses to pay the prize for the accident. Jean asks for a job in a mill to a friend to make money and support the psychiatric treatment of Laure. In his new job, he meets and becomes friend of the Kosovo refugee's siblings Kastriot and Labinota, while the Laure's sister Valérie separates them. Jean feels the passion of love and sense of life in his relationship with Labinota, who had her life destroyed with the war.

La Guerre Dans le Haut Pays is a period piece set in the winter of 1797-98, during the six days leading up to the fall of Bern and the victory of Napoleon's army, when the Bern government is faced with mixed loyalties from its subjects. The population of the lower valley is divided, but the upper region remains loyal, since they have been given special autonomy and a favorable system of taxation. David, a postman, works between the two regions. His father, who is a hard-line conservative, does not approve of his relationship with Julie, who is from the lower part of the valley. Julie's father, on the other hand, is more open to the new ideas of liberation. As a result of his work, David is exposed to new ideas and becomes a believer in equality and justice.

This uneven comedy of manners concerns a young film projectionist (Jerome Ange) who sets out to find a marriageable woman. He sets his sights on two women he has lived with for nearly ten years (Kristin Scott-Thomas and Sylvie Orcier). For some reason, the projectionist encourages one of the women to hire a private detective (Patrice Kerbrat) to monitor his romantic activities.

In colonial Vietnam, dashing French naval captain Jean-Baptiste, wealthy plantation owner Éliane Devries, and her adopted Vietnamese daughter Camillevare the three points of a cross-cultural romantic triangle. As the struggle against European imperialism sweeps Indochina, Jean-Baptiste and Camille have to choose sides and Éliane faces the emotionally difficult challenge of raising the child of her daughter and ex-lover.

In reality Emil and Larissa would never have been a couple she is an idolized singer, he is a shy outsider. Ironically, Emil is just getting to know Larissa when she dies unexpectedly. He pretends to have been her boyfriend and finally gets the recognition he has always yearned for, with the added bonus of a surrogate family in the form of Larissas. Things would be just great if Emil didnt fall in love - with Larissas sister Nora. The more he gets to know her, the harder it becomes for him to pretend.

Pierre is a Montreal photojournalist who returns from Nicaragua to find that his ten-year menage a trois is over. Haunted by his mid-life crisis, he becomes obsessed with trying to find out why his two lovers, Sarah and David, have left him.

A mountain climber devises a plan to eliminate the tyrannical husband of a young Vietnamese woman with whom he has fallen in love.

Nathalie is being stalked. By an interesting, intelligent young woman called Anaïs, who makes quite an impression on Nathalie, whose real name is Célimène and who happens to be a writer experiencing a crisis.

When her husband loses his job, Julia's well-organized life is put to the test. Robert used to work in international finance. Now he stays at home and is in no hurry to look for work. An encounter with a strange homeless man helps Julia overcome her existential crisis.