From a peculiar narrative, “Esperanza” builds a subtle and simple allegory about the phenomenon of immigration of people from other South American countries to Brazil, in a relationship that reveals places of approximation, but also historical and dramaturgical spaces that point to the effects of a certain imperialism that surrounds such processes. All this concentrated in the suffocated atmosphere of the protagonist.

At a time when capitalism seems to have metaphysical values never seen before, it is easier to imagine the end of the world than the end of capitalism. If not, we feel that there is no way out for late capitalism if not the end of the world: a climate catastrophe that will end humanity as we understand it.

At a time when capitalism seems to have metaphysical values never seen before, it is easier to imagine the end of the world than the end of capitalism. If not, we feel that there is no way out for late capitalism if not the end of the world: a climate catastrophe that will end humanity as we understand it.

A dadaistic exercise of the image.

A dadaistic exercise of the image.

A dadaistic exercise of the image.

Longing for a missed connection, a ghostly link to the past appears.

Longing for a missed connection, a ghostly link to the past appears.

Longing for a missed connection, a ghostly link to the past appears.

Longing for a missed connection, a ghostly link to the past appears.