A picture of humankind in Paris: singers, shows, social gatherings, businessmen, nightclub barmen, bums, shoppers.

Paris, December 1999. A group of Parisians cross paths. A police commissioner madly in love with his colleague's wife, a director looking for a subject. A man who learns that he has lung cancer. A waitress in love with her boss. A wealthy owner of a pizza chain who falls in love with a former member of the Comédie Française when he wanted to buy her castle. Among them, there is also Shaa. She dreams of becoming a singer and starts a duet with Massimo, a street singer of Italian origin. They quickly fall in love with each other. But one day, a producer spots Shaa and offers her a solo career.

Two unemployed men, heavily in debt due to losses at the racetrack, are hired by a criminal mastermind to harass the guests of a hotel he hopes to purchase at a below-market price in order to access a tunnel below the building that leads directly to a nearby bank.

A garage owner arranges for his friend, an apprentice playwright, to meet a famous Parisian actor whose car has broken down in their village.

French TV-Movie based on the classic American comedy classic Mrs. Doubtfire.

Adrien, 40 years old and totally immature, is dumped by Maude, 35 years old, eager to finally found a family. In an attempt to regain the love of his life, Adrien decides to move into the future ex-married apartment: a nursery home - The beginning, an improbable educational experience.

55 years ago, on October 1 1968, the first brand advertising spot appeared on the French television screen. Over the next three decades, thousands of creative little films would seduce and build our collective memory. Kitschy or cult spots, humor, slogans, music, stars, gimmicks, grand spectacle or sex appeal: during its golden age, how did advertising convince? Thierry Ardisson has brought together almost 400 advertising clips to relive the era of the conquest of minds and wallets.

In May 1974, Valéry Giscard d'Estaing became President of the Republic and wanted to bring about a new era of modernity. One of his first decisions was to break up the ORTF with the creation of three new television channels: TF1, Antenne 2 and FR3. Three new public channels but autonomous and competing. It is a race for the audience which is engaged then, and from now on the channels will make the war! This competition will give birth to a real golden age for television programs, with variety shows in the forefront. The stars of the song are going to invade the living rooms of the French for their biggest pleasure. This unedited documentary tells the story of the metamorphosis of this television of the early 1970s, between freedom of tone, scandals, political intrigues and programs that have become mythical.