Directing
No biography available.
This film is a tribute to love, a tribute to cinema. Our two main characters take us with them into the intimacy of "real people". We cross the roads of France with them, in their different vans and pick-up trucks transformed for the occasion into mini movie studios. Their concept: to film "declarations of love" and to deliver them directly by van to their recipients. And we discover, as we go along, that our duo and their own personal adventures are subtly intertwined with the people they film. This mix of genres offers several universes to the spectator in order to make him question himself about love.
Marcia, a classy young Parisian singer, is recording an album with her idol Daredjane, a '70s rock icon. When Daredjane dies accidentally, Marcia needs to get approval from Daredjane's rights-holder, Anthony, a suburban market vendor in his thirties, to release their album. But Anthony never liked his distant relative, let alone her music. Their two worlds clash between good and bad taste, sophistication and rudeness, sincerity and lies. Unless love gets in the way...
Youssef Salem, 45, has always managed to miss his writing career. But the trouble begins when his new novel becomes a success because Youssef couldn't help but be inspired by his own, for better or worse. He must now avoid at all costs that his book falls into the hands of his family.
Paul has no specific life goal, and Mathilde, who provides for their household, despairs that he can find one. If he continues like this, she may well drop him. So Paul thinks he's got to invent something.
Bahia Benmahmoud, a free-spirited young woman, has a particular way of seeing political engagement, as she doesn't hesitate to sleep with those who don't agree with her to convert them to her cause - which is a lot of people, as all right-leaning people are concerned. Generally, it works pretty well. Until the day she meets Arthur Martin, a discreet forty-something who doesn't like taking risks. She imagines that with a name like that, he's got to be slightly fascist. But names are deceitful and appearances deceiving.
It all began when camcorders replaced cameras. Making TV programs then became within everyone's reach. Jean-Lou, Yasmina, Victor, Clara, Adonis, and the others didn't only want to create their own television channel, they above all wanted to make a revolution. Thus Télé Gaucho was born, as anarchic and provocative as the main channels were conformist and reactionary. Five years of mayhem, brutal pirate TV demonstrations, drunken parties, and thwarted love.. And that was my idyllic interlude.
Mister Sim is of no concern whatsoever. At least, this is what he thinks about himself. His wife has left him, his job has left him, and when goes to see his father in a remote part of Italy, not even Dad has the time to have lunch with him. He then receives an unexpected offer: to travel through France selling toothbrushes that will "revolutionize oral-dental hygiene." He takes advantage of the job to catch up with people from his childhood, to meet the first big love of his life, along with his daughter, and to make amazing discoveries and, in so doing, rediscover himself.
An in depth look at both of the Švankmajers as they work on the full length film "Little Otik".
Perrine, a single, slightly awkward musician, loves birthday parties. One day she accidentally causes a man to fall into a skip at the waste disposal centre. When she learns that he´s in a coma, the young woman tries everything to awaken himand starts to meddle in his life.