A profile of Jean-Paul Belmondo by his peers. Besides appearing in over eighty films, the actor also delighted audiences with his dangerous stunts, his laughter, his jokes, and his refreshing ease and impertinence. Cultivating the art of the counterpunch, he spanned half a century of French cinema.

Rita is a girl that lives on taking gangsters as lovers. But when the money stops coming, she swears revenge.

A childhood in boarding school, volunteered at 17 for the war and dismissed for indiscipline, thug in Marseille turned gigolo in Paris, he became actor thanks to some inspired women. Then flying high, fast and far, thanks to his director masters René Clément, Luchino Visconti & Jean-Pierre Melville.

When Charles Le Braque learns that his boss' 17 years old daughter is pregnant, he fears that his 16 years old nice Joel from France, who's spending her vacation with them in Canada, might fall into the same trap. So he and his wife decide to give her the lecture of plants and bees... but it turns out that she's already well informed, gives them a lecture about simultaneous orgasms. She inspires the sexually repressed couple to start experimenting with "modern" forms of sex.

When Lise's car bumps Antoine's bike, they recognize each other from a brief fling 20 years before while at the Sorbonne. He's now a professor of Greek; she's loathe to tell him she's a police inspector. A call interrupts their first dinner date: a Deputy of the National Assembly has been murdered. She has a suspect, another Deputy, and must track him while deflecting Antoine's eye from her vocation. All roads in the inquiry lead to Christine Vallier, the dead Deputy's mistress, a beguiling 22-year-old whose mother ran the Assembly's snack bar. When more deputies die and Antoine learns Lise's identity, she must act quickly solve the crime and save her future.

Feature-film director Michel Audiard tackles what he believes to be the mistakenly heroic status given to Charles De Gaulle. In this documentary film, he uses humor, among other things, to demythologize him.

Housemaid Georgette loves to gossip and this causes major trouble to people around her.

A failed actress sinks into neurosis and mythomania. To give relief to her dismal existence, she engages in all kinds of activities ranging from false testimony to occasional prostitution.

Victor, grocer and tyrannical boss, never stops telling his family about his seafaring past, although they never believe him. When his nephew wins a model-boat contest and is commissioned to build a full-scale boat, Victor tries to make his mark.

With his popular culture, prolific imagination, and verbal alchemy, Michel Audiard revolutionized cinema in the 1950s and 1960s. Alongside his mentor and friend Jean Gabin, his writing partner Albert Simonin, and his favorite actors Bernard Blier, Lino Ventura, and Michel Serrault, we find his verve and innate sense of repartee, which alone reflect the spirit of the French people and language. From elegance to cheekiness, cynicism to tenderness, he made words speak like no one else. Between the expressions he stole from bar counters to refine them and his encyclopedic knowledge of French culture, he created a unique style and ranks alongside Prévert and Jeanson as one of the greatest dialogue writers in French cinema.