Norman is living a happy life with his family when strangers kidnap him and his wife Kala and shoot one of his children dead. When he regains consciousness again, he finds himself locked in a cage.

Walter is a somewhat church-weary, washed-up exorcist who prefers to spend his free time sipping beer. His tranquil life changes when he suspects he's encountered a vampire. Disorganized, he attempts to track him down and confront him—who else would do it? The centuries-old, sinister Blood Prince, on the other hand, pompous and self-absorbed, is enthusiastic about the new world he's encountered and helpless in the face of its technological and social advancements. Times of open hostility are interspersed with moments of rapprochement, but it soon becomes clear: Vienna isn't big enough for both. A vampire film that juggles the genre's trappings with a wink, charmingly sidestepping all conventions as an entertaining comedy. Sometimes by force.

For a TV documentary, the two unemployed friends Benny and Marko pretend to be petty criminals with immigrant background until the coin flips and reality turns against them.

Paul seeks happiness in other people’s possessions. In the beginning he searches through his dead friend’s belongings, but soon he starts stealing other people’s things, delving into their lives and changing them radically. The painter Anna does not show her works to anyone until Paul appears and changes her paintings forever. Even the manager Katrin, who numbs herself with alcohol and sexual escapades after work, sees herself forced to rearrange her life.