Frank (Miller) is a gay journalist who goes undercover at the urging of his therapist boyfriend Jonathan (Provenza) to write an exposé of Dr. Apsey (Butler). Apsey performs conversion therapy on gay male clients, a practice which Jonathan finds reprehensible. Frank quickly comes clean with Apsey but continues to meet with him under the pretense of interviewing him, but finds himself questioning himself, Jonathan and their six-year relationship.

Feature documentary following fashion designer Jay McCarroll's year-long journey preparing his first independent runway show and selling his clothing line to stores.

Feature documentary following fashion designer Jay McCarroll's year-long journey preparing his first independent runway show and selling his clothing line to stores.

Enter the colorful world of Emmy-winning, Oscar-nominated Patricia Field, the costume designer behind Sex and the City, Emily in Paris, Ugly Betty, and The Devil Wears Prada. A queer, first-generation Greek-American, this fiery redhead defied the odds to become a fashion icon. Features interviews with Kim Cattrall, Lily Collins, Sarah Jessica Parker, Michael Urie, and more.

Feature documentary following fashion designer Jay McCarroll's year-long journey preparing his first independent runway show and selling his clothing line to stores.

Enter the colorful world of Emmy-winning, Oscar-nominated Patricia Field, the costume designer behind Sex and the City, Emily in Paris, Ugly Betty, and The Devil Wears Prada. A queer, first-generation Greek-American, this fiery redhead defied the odds to become a fashion icon. Features interviews with Kim Cattrall, Lily Collins, Sarah Jessica Parker, Michael Urie, and more.

Privilege is an intelligently conceived, boldly anarchic, and wickedly insightful exposition on the culturally ingrained and socially divisive malaise of isms that artificially define and characterize empowerment in contemporary society: ageism, sexism, economic elitism, and racism. Yvonne Rainer conveys texture through the intercutting of archival footage, video, and film - as well as compositional layering through the film-within-a-film structure, elliptical (and self-referential) fusion of past and present, and the filmmaker's idiosyncratic penchant for superimposed typed text.