Michael Moore Movies, TV Shows, and Filmography
Michael Moore
Acting
Biography
Moore started on bass at age 15, at Withrow High School in Cincinnati, where he performed in various ensembles as well as the Presentation Orchestra in George G. "Smittie" Smith's famed The Withrow Minstrels. He played with his father in nightclubs in Cincinnati. He attended the Cincinnati College Conservatory, playing with Cal Collins and Woody Evans locally. He toured Africa and Europe with Woody Herman in 1966, and recorded with Dusko Goykovich while in Belgrade. In the 1970s he worked with Marian McPartland, Freddie Hubbard, Jim Hall, Jimmy Raney, Bill Evans, Benny Goodman, Jake Hanna, Warren Vache, Herb Ellis, Zoot Sims, Ruby Braff, George Barnes, Chet Baker, and Lee Konitz. In 1978, he auditioned and was hired by Bill Evans after longtime bassist, Eddie Gomez had left the group and Evans was in transition with drummer, Philly Jo Jones. Moore however, left after 5 months due to dissatisfaction with the group. Late in the decade he began working with Gene Bertoncini, with whom he would play into the 1990s. In the 1980s he worked with Sims again as well as with Kenny Barron and Michael Urbaniak.
Filmography Movies
Acting
Dave Brubeck - Take Five in a Quartet
Featuring both the classic tunes and his newest works, The Dave Brubeck Quartet entertains their fans with the energy and eloquence of true artists who love their job. Dave Brubeck - Take Five In A Quartet movie With Dave Brubeck on piano, the talented Bobby Militello alternating between alto sax and flute, the solid Michael Moore on bass, and the always-captivating Randy Jones on drums, no song goes wrong and every piece is a musical journey. Dave Brubeck - Take Five In A Quartet video Perhaps few jazz bands achieve such a complex and entertaining range of music so consistently as The Dave Brubeck Quartet.
Bucky Pizzarelli - Swing Live
Bucky Pizzarelli leads a strong quintet through this intimate live set at Makor, a Manhattan night spot. The seven-string guitarist is always game for anything, and with a superb group -- including nearly everyone's first-call bassist, Michael Moore, clarinetist Allan Vaché, vibraphonist Peter Appleyard (who previously worked with Benny Goodman, as did Michael Moore and the leader), and drummer Bernard "Pretty" Purdie -- the veteran leads his group through seven favorites from the swing era. The set sounds very relaxed and informal, as if the musicians were playing for their own fun and had no idea tapes were rolling. A snappy take of "Perdido" and an extended workout of "Limehouse Blues" are but two of the memorable tracks recorded that evening.