The inside story of Hawkwind, one of Britain's wildest acid rock bands. Emerging from the Ladbroke Grove underground at the end of the 60s, the band trailed radicalism and counter-culture in their wake, and have been a direct influence on punk, metal, dance and rave.

Asylum is a film very much derived from chaos, expressing implicitly the ideas conjured up by its title. A strange mix of both documentary and fiction, where in the future a group of people are looking back at the twentieth century. A virus has wiped out most of the culture of the twentieth century, leaving just fragments of a project called 'The Perimeter Fence' to be pieced together. These fragments make up a documentary about an exiled group of disparate yet similar minds.

This is 5.1 surround sound audio mix of the classic Hakwind album of the same name The Space Ritual Alive in Liverpool and London is a 1973 live double album recorded in 1972 by UK rock band Hawkwind. It is their fourth album, reached #9 in the UK album charts and briefly dented the Billboard Top 200, peaking at #179. The album was recorded during the tour to promote their Doremi Fasol Latido album, which comprises the bulk of this set. In addition, there are new tracks ("Born To Go", "Upside Down" and "Orgone Accumulator") and the songs are interspersed by electronic and spoken pieces making this one continuous performance The DVD was released as a bonus ot the remastered collectors CD issue of the albom

Hawkwind's classic stage production of "The Chronicle of the Black Sword" as performed at London's Hammersmith Odeon 1985. Based on the "Elric" stories by Michael Moorcock.

An abstract film, collecting together the 6 rooms Dave McKean made for Chris Petit to reshoot, cut-up, and generally abuse, in pursuit of images for his film 'Asylum', made in collaboration with the writer Iain Sinclair.

‘The Cardinal and the Corpse' marks the beginning of Petit’s loose partnership with writer Iain Sinclair. There’s a nod towards narrative here involving a book-search launched by graphic novelist Alan Moore and a dealer (the dapper but barking Driffield), but it’s little more than an excuse to showcase a number of authors and other miscreants.