
Acting
Michael McGlone is an American actor, singer and songwriter. He is perhaps best known as the film noiresque spokesman for GEICO insurance posing rhetorical questions in the vein of Robert Stack or Rod Serling, which are then acted out in humorous fashion. McGlone's best-known film credits include two castings as actor Edward Burns's brother in 1995's "The Brothers McMullen" and 1996's "She's the One" (opposite Jennifer Aniston). He has also had large supporting roles in the 1998 crime film "One Tough Cop" opposite Stephen Baldwin and Chris Penn, and the 1999 thriller "The Bone Collector" which starred Denzel Washington and Angelina Jolie. On television, McGlone's credits include "Crash" on the StarzNetwork and "The Kill Point" on the cable channel Spike TV. Voice-over credits include TLC's "Trauma: Life in the E.R.", Court TV's "I, Detective", and The History Channel series "Dead Reckoning." He has also acted on stage. His writing credits include the novels "And All the Roses Dying...", "Dice", and "Hourigan's Song". He has recorded and produced two albums, Hero (1999) and To Be Down (2002). Description above from the Wikipedia article Mike McGlone, licensed under CC-BY-SA, full list of contributors on Wikipedia

Mickey, a free-spirited New York cabbie, and Francis, a materialistic Wall Street stockbroker, are extremely competitive and confused about women as a result of their father's influence. They disagree on everything, but they have one thing in common: Mickey's ex-fiance Heather is Francis's secret love. Although both brothers are already married, Heather triggers their longtime sibling rivalry.

One unlucky evening, Louis Cropa, a part-time bookmaker, discovers that his restaurant has become a hotbed of conflicting characters. In addition to having to please a whiny food critic, Louis must fend off a hostile takeover from a pair of gangsters, to whom his sous-chef is in debt. Further, Louis has an argument with his son, the star chef, whose culinary creativity has brought success to the business.

Lincoln Rhyme was the department's top homicide detective and leading expert in criminal forensics until an injury left him paralyzed, depressed, and incapable of working. But when a gruesome murder in Manhattan leaves detectives baffled, they call on Rhyme to help solve the mystery. Amelia Donaghy, a rookie cop whose quick thinking preserved a gruesome murder scene, is enlisted by Rhyme to be his on-the-scene forensics expert. With Amelia reluctantly acting as Rhyme's able-bodied go-between, the pair piece together cryptic clues the killer leaves behind at the scene of the crime, hoping to catch the grisly serial killer.

Deals with the lives of the three Irish Catholic McMullen brothers from Long Island, New York, over three months, as they grapple with basic ideas and values — love, sex, marriage, religion and family — in the 1990s.

The siblings of the Fitzgerald family must decide if the dad who abandoned them 20 years ago can come home for Christmas. Can the big Irish clan get past their grievances to be a family again?

The Good Samaritan tells the most touching parable that Jesus ever taught. The story begins with the lawyer’s trick question, “What is the greatest commandment?” As Jesus answers with the story of the robbers, the Rabbi, the Levite and the wounded traveler becomes real. Imagine the traveler’s emotion as his own countrymen pass by while his enemy, a Samaritan, stops to help him. Jesus teaches us to love and serve one another no matter how we differ.

A detective tries to remain loyal to his partner, and his best friend - a mobster.

Bad City is the tangled story of three men's lives: Manning, a dirty, disillusioned cop; Julian, king of drugs, thugs and prostitution; and Frank, a ruthless politician who destroys everything in the way of his ambition.

A comedy that pays tribute to the science fiction genre -- specifically, the sub-genre of time travel. But here the alternate reality is contemporary New York City where past and future experiences of trust, commitment and denial are cleverly put to the test. Just as Ruby is beginning to relish her first-ever healthy relationship, Sam begins muttering about being a time traveler from the year 2470.

Why do people no longer see this type of stories nowadays? How can this notion be awakened? Which films should begin to feed back from the past and balance them with the current horror?
