11-year-old Rocca, a clever, creative and brave girl who lives all by herself in defiance of her teachers and the authorities has to fight to keep her independence and prove to everyone that a child also has the power to change the world.

Recording from the Burgtheater Vienna.

The cruel King Ottokar of Bohemia, spoiled by fortune and unpredictable, is dead. Now, with the modest Rudolf of Habsburg, peace has finally returned to Austria, for he replaces tyrannical arbitrariness with God-fearing clemency—and the way is clear for a story that lasted 700 years and bears the title: "The Habsburgs in Austria." With this view of Franz Grillparzer's play, many productions have been staged since the premiere of "King Ottokar's Fortune and End" – Rudolf of Habsburg as the gatekeeper to the dawn of a new, better era. It became clear what a great projection screen Grillparzer's play offered. It should really be called "The Habsburgs' rise to power as a development toward the good, the just, the orderly." But it is called "King Ottokar's Fortune and End," and that is what it is about—the fortune and end of a human being and how the one is sometimes directly connected to the other.

The film tells different stories in a kind of parallel Germany about love, affection and hatred.

The close friendship between Arthur and Felix is put to the test when one lends the other his health insurance card. Arthur finds out that Felix is terminally ill, but Felix doesn't know it yet. However, because he doesn't have the courage to break the bad news and bitter truth to his friend, he soon becomes entangled in a web of lies and suddenly the tables are turned: Felix, who is actually terminally ill, believes that the healthy Arthur is actually going to die soon. He selflessly agrees to care for Arthur and give him a good time in the supposedly last days of his life. This actually gives Arthur a new perspective on life and Felix also starts to change: He manages to open his heart and learns to love bit by bit.

In the aftermath of WWII, German-Jewish cabaret singer Nelly has to undergo facial reconstructive surgery following her survival from Auschwitz. Without recognising Nelly, her former husband Johnny asks her to help him claim his wife’s inheritance. To see if he's betrayed her, she agrees, becoming her own doppelgänger.

Inspector Sörensen has finally retreated to the Frisian province, but he still has to contend with his own inner demons. Loneliness, insomnia and inner restlessness plague him, and although he does everything he can to stop taking his medication for the anxiety disorder, he remains trapped in his psychological torment. One dark night he almost runs over a young, disturbed woman on the country road. She is malnourished, wears only a nightgown and is blind. After she finally reveals her identity to Sörensen, a web of murder, religious madness and well-kept secrets begins to unfold before him. Sörensen is overwhelmed, not only by the shocking situation, but also by his own demons, which are gaining power over him again. The villagers reject him, and as fear takes hold of him again, he will soon realize that it won't just be a corpse.

Bibi Blocksberg visits her friend Tina Martin at the riding stables during the summer vacation. This year there is to be a special horse race organized by Count Falko. However, the two friends run into trouble when Sophia von Gelenberg from an elite boarding school at Falkenstein Castle, a participant and close acquaintance of the house, arrives and tries to steal Tina's boyfriend Alexander. The shady businessman Hans Kakmann is also up to no good, and it's not just the foal Socrates, known as "Socke", he's after. Bibi tries to save Alex and Tina's relationship on the one hand and expose Kakmann's business practices on the other. But even witchcraft can't prevent her from turning everyone against her, Count Falko enrolling his son in boarding school and Kakman offering to buy the foal "Socke".

Erich Kasulke and Rudolf Portmann are comedian stars of the former GDR. When the Wall falls, so does their success. Portmann becomes a successful businessman, while Kasulke tries to continue working on the comedy circuit - without success. When his wife also cheats on him, he decides to start a new life in Berlin. There he quickly meets his old friend Portmann, who has built up a huge company. He offers him a job. But Erich puts the entire company in danger...

Star reporter Lars Bogenius is a respected journalist and knows how to wow his readers and critics with emotional reportage. Emotional, realistic and moving, his style regularly promises to win him the industry's most coveted awards. His publishing house is also grateful to the exceptional journalist, because the paper's numbers are sinking and are being cushioned by Bogenius' reportage, among other things. Everything sounds too good to be true - at least that's the opinion of freelance journalist Juan Romero, who takes on the inconsistencies and looks deeper behind Bogenius' research and reportage. It's a dangerous plan that faces numerous obstacles. But what he discovers turns out to be the biggest journalism scandal in Germany.