Sean Veil is an ultra paranoid murder suspect who takes to filming himself round the clock to provide an alibi, just in case he's ever accused of another crime. Problems arise however when the police do come calling and the one tape that can prove his innocence has mysteriously disappeared.

Teenagers Luke, Malachy, and Michelle embark on a wild weekend of drink, drugs, shop-lifting and stealing cars. But what starts out as a game turns deadly serious when the three discover that they can't get off the wild ride they've set in motion.

Donal is a 14-year old who develops a passion for greyhound racing. He works in a kennel, which is owned by Good Joe. Good Joe promises Donal ownership of Donal's favorite greyhound, The Mighty Celt, if the animal wins three races in a row. Meanwhile, Donal's mother, Kate, must adjust her life when O, a man from her past, returns. The political climate of Ireland serves as the backdrop of this story.

Author Rudyard Kipling and his wife search for their 17-year-old son after he goes missing during WWI.

1973, Heather is a 14-year old girl who is impatient to be a woman. She has one eye on her mother's baby doll nightie and the other on her best friend's dad. However, on a holiday weekend, she discovers the difference between dressing up and growing up and is forced to make a choice about what she really wants.

Doris Stokes was a Spiritualist superstar who publicly demonstrated - to the satisfaction of many thousands - that there is Life After Death, and we can contact those who have 'passed over'. At private sittings, in Spiritualist churches and in theatres and cinemas, the homely 65-year-old medium would chat away to 'the dead' as if they were next-door neighbours. Doris Stokes was not clairvoyant - she didn't see things or go into a trance. Doris was clairaudient - someone who works like a radio receiver tuning in to the other side, and picking up the voices of 'the dead' and passing their messages on to the living. Sceptics will undoubtedly accuse her of fraud, but to most of her audience, who are shattered by grief and who have failed to come to terms with bereavement by more conventional forms of religion or philosophy, Doris Stokes brings good tidings of comfort and joy, and a more solid contentment than can be found in a conventional church or through a bottle of tranquillisers.