The teenage siblings know that no one will give them a life more interesting than vegetating in a gloomy hole. They take matters into their own hands and organize a bank robbery, because money is their ticket to a better world. Everything was supposed to go smoothly, but then that fatal bad luck struck... Cop 1 isn't so bad: he keeps his wife in line because he loves her, he drinks because he's lost, he takes bribes because he needs money for booze. Cop 2 isn't bad either, he just supports Cop 1, who's in trouble, spiritually. Soon, the paths of the cops and thieves will cross...

The provincial seaside town of Cierpie Dolne. Magda, a journalism student, arrives as part of her internship to conduct broadcasts on the local radio station. Her first interview is with police lieutenant Tucznik, also an intern. Businessman Outlaw and the mayor have problems with their sons, Mops and Kitty, who repeatedly abandon undressed girls in the woods. The barmaid falsely accused Mops and Kicius of rape, and received money from the Exception for her silence. Meanwhile, the case to cover up the alleged rape gets complicated.

A young aspiring violinist unwittingly becomes involved with a criminal gang.

Using the backdrop of the banality and ordinariness of everyday life in a small provincial town, the film analyses the relationship between two women friends, who struggle to find their way in post-communist Poland. The small events of their lives represent universal feelings of being trapped and lost in a new world, in contrast to the successes of the dark side of democracy - drug dealing, crime and pornography. By its very nature, the film creates a picture of provincial Poland after democracy, but its charm is in the understated relationship between the two friends and the people around them and in the mosaic structure that builds up the film piece by piece.