Two young men, one shy and one self-confident, spend a fast-paced night in Paris trying to pick up chicks. They confront every possible difficulty

The film consists of three novels. The film begins with the fact that the Bernard Blier hero removes a lantern from the entrance to a brothel. The second part is about how the lantern and jewelery were stolen from a young baroness. And in the third part the hero of Louis de Funes hangs a lantern at the entrance to his house.

Henri Verneuil was born Achod Malakian of Armenian parentage on October 15, 1920, in Rodosto, Turkey, and his family fled to France and settled in Marseilles when he was a young child. He later recounted his childhood experience in the novel Mayrig, which he dedicated to his mother and made into this 1991 film with the same name.

Olivier, a handsome but callow and moody young student, picks up an enthusiastic actress during a theatre rehearsal, and is introduced to her acquaintances -- a group of jaded rich kids who spend their time storming around the Riviera harassing passersby, throwing wild parties and following all the latest trends. When sexy Elke gives him the eye, he leaves the actress in the lurch and joins the gang for a decadent party aboard a yacht. However, Elke's wanton ways and Olivier's inexperience do not mesh, and in a snit, he accidentally sets the yacht afire. The gang wreaks its vengeance by luring him into a dangerous contest of bravura on a construction site.

A French resistance group free twelve soldiers from a German prison camp, but apparently there's an additional detainee among them suspected of being an enemy spy.

The Martin family is shopping in a department store. Tiennot is responsible for looking after his little brother, Bébert, but he prefers to chase girls. On the train home, Tiennot leaves Bébert alone. On arrival, Bébert has disappeared. The Martin family sets out to find him.

Parigi O Cara is probably the most camp in the history of Italian cinema, certainly a favourite with the queer community who quote its lines by heart. Unique as it's the only film where Franca Valeri (now 90) is the unquestioned star, in the role of Delia, a snobbish, stingy prostitute who is moving to Paris looking for greener and more lucrative pastures. An anti-neorealist, amoral, almost abstract comedy, which anticipates Almodóvar, a ferocious, though gentle, non-moralistic portrayal of the 60's boom and its broken dreams. The dialogue between Delia and her brother (played by Fiorenzo Fiorentini), when he does (or does not) tell her he is a homosexual, is memorable, a primordial coming-out, a masterpiece of allusions. But what makes it one of the first examples of a film with a "gay point of view" is the approach: perceptive, non-conformist, caustically witty. A film ahead of its times, still unbeaten.

Philippe Marcillac grew up in Sète, where he specialized in pranks of dubious taste. One day, as a teenager, he organizes a party in an abandoned villa. Philipe finds himself alone with Marie-Titite, who advises him to restart his life on a more serious footing.

The publicist Henri Michelin is looking for a new star for the review of Eden, a music hall led by Bendix.