An analysis of Alfred Hitchcock's behavior with his actresses in his movie sets. Taking archive pictures and intertwining them with images of an XXI century woman, exploiting our audio senses, an experimental look is created. This allows us to have a different perspective on a period of them in the film making industry where many actresses were victims of a sexist panorama.

Algarve, late 90s. Following the death of her grandmother, Milene - a strong young woman full of life despite a slight mental handicap - divides her life between her family of notables and a Cape Verdean family that keeps her going, whom she met when her grandmother died. The wind that whistles in the cranes plunges us into the world of two families against the backdrop of Portugal's recent past.

Three men try to be "masculine" again. A clerck, a Saints Salesman and a "house-husband" pack up and decide to travel... to a bar. This is a movie without words, where the communication happens through the eyes and of some violence too.

Portugal, 1975. A time of rough changes. A young gay artist trapped in a small seaside town ran by communist winds. Al Berto, the writer, embodies an entire moving generation. He and his friends exude youth, eccentricity and hope for the future - but right after the fall of Portugal's dictatorship system, the country is not yet ready for his love story.

The lives of two women intersect.

Lazarus de Jesus is the adopted son of a wealthy lady from Lisbon, whom he calls Grandmother. It is she who introduces him to Godfather, a great businessman who takes him as his protégé, and Angelina, the woman Grandma wants him to marry. But Lazarus has other hidden interests, the most important of which is an obsessive fixation on female armpits. When he sees the violinist Maria Pia playing, Lazarus immediately falls in love and starts to live for her, which will precipitate an absolutely unpredictable ending.

Day breaks on the eighth floor in a suburban neighbourhood of Lisbon and 14-year-old David’s grandfather is still in hospital. Doctors give him only a few days to live. The imminence of death and the void that it will leave force David to become the man of the house, where he lives with his mother Mónica, who is in her 30s, and his three-year-old sister.

Ramiro is a bookstore owner in Lisbon and a poet in perpetual creative block. He lives, somewhat frustrated, somewhat conformed, between his shop and the tavern, accompanied by his dog, his faithful drinking companions and his neighbors: a pregnant teenager and her grandmother recovering from a stroke. He would gladly continue living this quiet and somewhat anachronistic routine if events worthy of a soap opera did not invade his bubble.

Lisbon, Portugal, 1927. The writer and journalist Fernando Pessoa accepts from his boss the commission to create an advertising slogan for the drink Coca-Louca; but conservative government authorities consider the new drink as revolutionary as it is diabolical.

When his wife dies during child-birth, Arsénio turns to a foul ritual with hopes of having the daughter he never got to know.