Frankie Dymon's Death May be Your Santa Claus (1969), arguably Britain's first and only example of a 'black power' movie, in which themes of sexual and political identity encircle one another in the context of a hip and hippy London of the late 1960s, suspended between the cinematic radicalisms of films such as Roeg's Performance, Godard's Sympathy for the Devil in which Dymon played a leading role, or Boorman's Leo the Last. Thought lost until quite recently, this inscrutably-titled film is described as a 'pop fantasy' and offers an intriguing look at 60s sex and politics from a black British perspective.

In this avant-garde classic, protagonist Louise deals with a change in her lifestyle in which she must learn to negotiate domestic life and motherhood.

An alcoholic London ex-cop becomes involved in a kidnapping drama and tries to free the daughter of a friend from a brutal gangster mob.

Barry McKenzie's Aunt Edna is kidnapped by Count Von Plasma, the vampire head of an isolated Eastern European dictatorship who mistakes her for the Queen of England and thinks that kidnapping her will draw tourists to his country. Barry and his mates set out to rescue her and bring her back to Australia.

The Carry On team send up the Tarzan tradition in great style. Lady Evelyn Bagley mounts an expedition to find her long-lost baby. Bill Boosey is the fearless hunter and guide. Prof. Tinkle is searching for the rare Oozalum bird. Everything is going swimmingly until a gorilla enters the camp, and then the party is captured by an all female tribe from Aphrodisia...