An investigation about a transmission parallel to that of man’s arrival to the Moon, captured by a radio ham from Avellaneda, confronts the director of Channel 54 with a series of conspiracy theories and mysterious figures. Doing so also means questioning the nature of the images.

Flowers have decided to hear the noises of an unknown girl.

Marcos is an experienced nurse. He works in the night shift of a provincial private clinic. He is applied and professional but has a secret: in some extreme cases he applies euthanasia. He'll soon meet someone that knows what he's doing.

In his second feature film, Leandro Listorti establishes a parallel between two worlds he seems to know well: that of plants and that of cinema. This delicate cinematographic work, full of beautiful images—both archival and current—gives an account of the immense work of classification and preservation, and generously invites us to think about forms of representation and memory.

After my grandmother’s death I begin to question our gender roles between her generation and mine. Reflections, voice notes and 8mm files of women from different times try to define what they were in their time and what we long for in ours.

Agatha and Leonidas have a somewhat absorbing mother-child relationship: Agatha never fell in love again, and Leonidas doesn't know what love is. From one day to the next, Agatha wakes up in the body of a seven-year-old girl.

Emilia arrives at her Aunt Ines’ hostel at the Argentina-Brazil border looking for her long lost brother. In this luxuriant jungle, a dangerous beast believed to be the spirit of an evil man taking the form of different animals seems to be roaming around. On a journey to sexual awakening, Emilia will have to confront her past in order to kill the beast.

Breif essay about the present, cinema, Buenos Aires, and humanity..

The Matsiguenka family belonged to an ancient tribe that has suffered great changes and losses in their customs at the expense of the “process of civilization”.

Everyone is locked up, but Clementina and the man she's quarantined with won't stop working. We know little about him, and even less about her: we just see over and over again her mysterious face, which seems to defy everything.