19-year old Ah Loong is in charge of a street stall selling pirated VCDs. Ah Loong is an incurable romantic with a unique hobby – he loves to read and write poetry. Quite content to carry on being the Romeo of the slums, Ah Loong's life takes on a sudden change one day when a 16-year old Malay schoolgirl arrives at his stall in search of Wong Kar-Wai films.

A talent search competition has matched two hearts - that of Melur, a Malay-mixed girl and an Indian male student, Mahesh. Melur, with her melodious voice, singing whilst playing the piano is one of the seven finalists of the Talentime competition of her school organised by Cikgu Adibah. Likewise Hafiz, enthralling with his vocalist talent while playing the guitar, divides his time between school and mother, who is hospitalised for brain tumor.

Seven years after Jason, Orked is now married to a much older guy, Arif. Everything seems ideal in their marriage at first glance. One fateful morning, Orked is awakened by a distressing phone call from Mak Inom with news that Pak Atan has become catatonic due to diabetic complications.After some chaos, they take Pak Atan to the hospital. There, Orked bumps into Alan, Jason’s elder brother. His father, Pa has also been hospitalized. As the film develops, we witness the friendship between Alan and Orked flourish, to Arif’s apprehension. Perhaps because for Orked, Alan is a link to her first love.

Two Malaysian sisters, Rohani and Rohana, run away from home to escape their wealthy father’s mistreatment. They find refuge in a small town where they get to know Brian Goh, a young Catholic schoolteacher. Brian is irresistibly attracted to the two girls. Impressed by their extraordinary courage in the face of adversity, their relationship forces him to confront the ghosts of his own childhood. Director Yasmin Ahmad explores the possibilities of emotional survival after being traumatised by loved ones. Through the wanderings of three lost souls who band together and console one another, Muallaf celebrates friendship, forgiveness, and the coming to terms with the past.

In multicultural Malaysia society, the mere existence of a baby hatch remains a whispered taboo, condemned and branded as an enabler of moral decay, punishable by God. Three committed employees of a Kuala Lumpur baby hatch facility navigate a maze of societal opposition to empower women from diverse backgrounds grappling with the complex notion of bodily autonomy.