1962 Japanese movie

1962 Japanese movie

There is a man who divorced his wife. He moved to rural Hokkaido from Tokyo where he lived with his family without running water or electricity. He has his son and daughter in tow and works hard for them. The folk in the area try to help. A couple of years pass and the older son moves back to Tokyo, attends school and works part-time. The daughter commutes to the city to attend school. She wants to become a nurse. To become a registered nurse she needs to study a further three years. This takes money.

Shoichi Kokubun is a roughneck street musician, who has a brother that is determined to propel him into stardom. In attempt to catch the attention of a popular jazz band, his brother appeals to their manager who has the power to make him a star. In a graphic portrayal of love, betrayal and success, Shoichi brews up a storm with a 'rat-a-tat-tat' on the drums.

On his way back to Yokohama, a young boy named Kenji Hase encounters a girl named Yoshiko who is being harassed by the Kaminaryu gang. He rescues her and they head towards Yokohama in Yoshiko's car. In Yokohama, there is an uproar because Kenji's father, Shozo Hase, a customs officer, has been accused of stealing confiscated drugs. The story unfolds with thrilling action as Kenji bravely confronts the gang of villains who framed his father and kidnapped him, all while seeking justice and vindicating his father's innocence.

Bobby is an underachieving high school kid with a deep love for motorcycles. His most recent achievement seems to have been getting photos of himself on a road trip printed in a motorcyclist hobby magazine. When he gets a letter from a girl his age, he decides to write her back.

After being hit by Kyouko's car, office worker Hideo starts regularly meeting up Kyouko after the accident. With each meeting their feelings for each start to grow and they soon fall in love. The only problem is that Kyouko is married to and has a child with a yakuza boss who is currently in prison.

This rarely seen gem from master Suzuki casts teenage heartthrob Koji Wada as a young misfit who suddenly finds himself the unwitting pawn in an escalating family feud that ultimately leads to tragedy. Lean, mean, and stylish as always, this tale of youth-gone-wild is both vibrant and touching. Suzuki contrasts tranquil glimpses of traditional regional life with the emergence of the new rock 'n' roll youth culture and the greed and seething cynicism of encroaching Westernism. Also released under the title "Go To Hell, Hoodlums!", this is a melodrama as colorful, shocking, and exhilarating as one would come to expect from Japan's master filmmaker.

1962 Japanese movie