When his cross-dressing teenage son suffers a brutally violent attack, a mannequin-factory manager desperately seeks help and, when none can be found, is forced to take matters into his own hands.

Gathered in a shelter in an Ecuadorian forest, adolescent victims of sex trafficking take their tentative first steps in their newly recovered lives.

Claudina is a repressed woman from the countryside. After her husband passes away, she meets Elsa, a married woman with whom she discovers real love. In a little conservatory town in the south of Chile, obsessed with UFO sighting, she starts a new journey.

Ernesto is a security guard at a supermarket where he spends every day watching customers through surveillance cameras. At night, he changes his guard uniform for Carver's suit and patrols the neighborhood until Alicia proposes a real case: hunt down the drug dealer who killed her brother.

Iris and Ariel are 17-year-old twins, who live with their mother and older sister in an old house in the middle of a rocky island covered with molluscs and birds. The teenagers have grown up isolated from the mainland, in a sibling relationship that surpasses the limits of normal intimacy. The abrupt absence of their mother deeply wounds the three siblings, and Iris, moved by a strong need of separating herself from her brother, decides to go alone to the city for the first time.

In northern Chile, Leonel Codoceo (58), a lonely security guard for a mining company, dedicates his free time to unveil the mysteries of extraterrestrial life. Confident in the existence of beings from another planet, Leonel organizes what will be the first UFO vigil open to the public in an emblematic place in the Atacama Desert. At the same time, he prepares for the arrival of Sara (57), his ex-wife, who will arrive in Copiapó from Australia to remarry him. Under the starry blanket of the night sky and the immensity of the desert, Leonel will seek to make contact for the first time.

The list of fantastic, mythical animals compiled by Carl Linnaeus in his seminal 18th century work Systema Naturae could well be the seed of Niles Atallah’s Animalia Paradoxa – an eccentric tale set in a post-apocalyptic world that follows a strange creature struggling to survive. Dressed in rags and a gas mask, moving like an alien dancer, Animalia roams through an abandoned building – crawling and stretching across concrete, plastic, waste. She laboriously carries and fills up an array of empty bottles to enjoy a modest bath. The camera eye lingers on her with compassion and explores the architectures of trash at an agonising pace. We know in our hearts that Animalia is a human-amphibian longing for the sea…

Free-spirited university student Rafaela’s carefree life is shaken when she falls pregnant. Desperate to get an abortion in a country where doing so could land her in jail and unable to fund one illegally, her situation shakes her world. But thankfully, she doesn’t face it alone by virtue of her best friend and sidekick, Gabriela. In her directorial debut, Hyland skilfully captures the incongruity of the inseparable duo’s lives as they move between their fuzzy pink apartment and the rough and raw backstreets of Santiago.

A dialogue between the collective and the personal, a living memory that combines the dreams and realities of the Haitian community residing in Chile. This dialogue is guided by the voice of Wilner Petit-Frère, a Haitian immigrant who observes and captures, in a print publication, the society where he ended up living in this stage of his life.