A young doctor gets stuck on a ship after treating an injured first mate. Later, he rescues a woman from plane wreckage, and with the help of the cook, he hides her away from the rowdy and dangerous crew.

This biographical portrait of composer Richard Wagner (1813-1883), feature-length and lavishly produced, was released in conjunction with the centennial of his birth. It's an outstanding achievement in many respects. Naturally it looks primitive by modern standards, but contemporary viewers should bear in mind that it was made at a time when the motion picture industry was still in its infancy, and feature films were still a novelty. The very notion of a silent movie about a composer may seem odd, but Wagner is an ideal choice, simply because his life was so tempestuous and dramatic. Wagner's personality was operatic, while his tumultuous love life unfolded like a soap opera. He knew great success and abysmal failure, luxury one day and poverty the next. He participated in the wave of revolutions that swept Europe in the late 1840s, and had to flee Germany under threat of arrest.

If watching a fellow facing indifference/rejection in the slums of Berlin didn't convey enough pathos, Gerhard Lamprecht gathered much of the same crew from Die Verrufenen and turned his attention to the city's population of unwanted children for the heart-tugging Die Unehelichen, released the following year. The trio of foster children at the center of Die Verrufenen are survivors who use their own resourcefulness to get by when the kids' guardians and the system itself let them down.

The story of Brennende Grenze (= Burning Border) starts after the end of WWI. Polish franctireurs invade the German bordering regions which are to be given to Poland as agreed on in the post-war peace treaties. Luise von Willkühnen's manor is invaded by Ladislaus von Zeremski, his lover Nadja and their gang. They treaten the inhabitants until Luise's son kills Zeremski.

Else Riedel (Lissy Arna), locked out by her authoritarian father, seeks refuge with her boyfriend Hans. Complications threaten when Hans's roommate Max falls in love with her, but the situation is resolved: the three remain friends, and decide to form a music hall act. They want to ascend, but how? A way out beckons when a theatrical agent named Nevin enters Else’s life. He is played by Hubert von Meyerinck as a slick and oily villain, who oozes refinement; his experience behind bars is waved away with a silk scarf. He is cunning to the point of perfidiousness, but is not completely unsympathetic. He also embodies a new type - the scrounger.

Based on the real life events of the 1927 Steglitzer Schülertragödie, in which several high school students planned murder-suicides.

It was not just the children who were treated badly by the wealthy Weimar republic. Robert Kramer is released from prison but struggles to adjust to civilian life. His father disowns him, his wife has left him for another man. There is no work. He eventually arrives in a shelter for the homeless, and seeks salvation through Emma, a prostitute.

German silent film

Silent epic on the final years of Frederick II.