Stella, grows up in Berlin during the rule of the Nazi regime. She dreams of a career as a jazz singer, despite all the repressive measures she is forced to go into hiding with her parents in 1944, her life turns into a culpable tragedy.

Amy is a New York City executive working for Blossom, a wellness company that has been trying to launch deliverable meal prep kits. She needs to find a chef to help guide the venture and tries to woo Marcello Barone, an Italian chef. When Amy contacts him, he turns her down -- Marcello got burned in the past by the New York restaurant scene and is now enjoying running a cooking school in Venice. To try and persuade him, Amy enrolls in his cooking school, which is located in a stunning Venetian palazzo. While there, Marcello introduces Amy to the slow-paced pleasures of Italy and shows her how the kits can be healthy by using fresh ingredients. But when the cooking course is over, and Amy fails to lure Marcello back to New York, will she go back or stay in Venice?

Lev works on a construction side in a new suburban residential area, in western Germany. But things change, friends will leave and the forest becomes a place of desire.

These five award-winning coming of age short films offer a glimpse of how boys and young men tackle life's difficult desires: confronting one's demons, understanding sexual relationships, gaining the respect of one's father, or simply running away from it all. This is only the start of their complex formative years, where not every question has an answer, and not every answer makes sense. The short films are: Boys [Pojkarna] (2015); Ioana (2015); Kiem Holijanda (2017); Picnic [Piknik] (2015); Tomer & Elias [Tomer en Elias] (2016).

Young Romanian Adrian works as a hustler in Zurich's underground in order to get his sister Ioana out of Romania and to Zurich, where they can both have a better future.

A man has disappeared. His pregnant girlfriend waits in vain for a sign. She clears out his abandoned apartment, assembles fragments of their shared existence, and prepares for her new role as a single mother. DANIEL is an essayistic examination of an intangible loss.

After surviving a racist attack, state prosecutor Seyo Kim takes her own case to court – confronting both the perpetrators and a justice system that turns a blind eye to right-wing extremism.